Ed Ruscha: Catalogue Raisonn? of the Paintings Vol 3 1983-1987 available in Hardcover
- Pub. Date:
- Steidl The Masters
Ed Ruscha, one of the most influential artists working today, and one of the great West Coast Pop artists, didn't start out as a painter. It was under the influence of teachers including Robert Irwin, Richards Ruben and Emerson Woelffer that he gave up his original goal of becoming a commercial artist to focus on fine art. This third volume in the ongoing documentation of his entire corpus of paintings captures him in his stride. As throughout the series, each painting, reproduced in color, is given a double-page spread with exhibition and bibliographic history. The artist's sketches for paintings are reproduced in facsimile. This volume contains 165 works, and, of particular note, includes a major public commission for the Philip Johnson-designed Miami-Dade Public Library, which was a turning point for Ruscha. Paintings done immediately prior to this commission can be seen as a summation of the artist's earlier preoccupations and techniques, while those done after the commission show a major shift in direction occasioned by the use of airbrush techniques to produce dark, atmospheric canvases with links to film noir and to such Los Angeles noir writers as Raymond Chandler. With an introductory essay by Robert Dean, a personal tribute by artist Lawrence Weiner, a chronology and a comprehensive bibliography and list of exhibitions.
|Publisher:||Steidl The Masters|
|Product dimensions:||9.80(w) x 12.00(h) x 2.40(d)|
About the Author
Ed Ruscha was born in 1937 in Omaha, Nebraska and grew up in Oklahoma City. In 1956 he moved to Los Angeles, where he attended the Chouinard Art Institute. His work has been the subject of exhibits at the Centre George Pompidou, Paris, the Walker Art Center, Minneapolis, and the J. Paul Getty Museum, Los Angeles.
Lawrence Weiner was born in 1942 in the Bronx, New York. Upon graduating from high school, he worked in a variety of jobs--on an oil tanker, on docks, and unloading railroad cars--and then traveled throughout North America before returning to New York, where he exhibited at the Seth Siegelaub Gallery in 1964 and 1965. Since the 1970s, wall installations consisting solely of words in a nondescript lettering have been a primary medium for Weiner. Solo exhibitions of his work have been mounted at the Hirshhorn Museum and Sculpture Garden in Washington, D.C., ICA London, Dia Center for the Arts in New York, San Francisco Museum of Modern Art, and the Walker Art Center in Minneapolis, among others. Weiner lives in New York and Amsterdam.
Dave Hickey has written for most major American cultural publications. Formerly executive editor at Art in America, Hickey's publications include Prior Convictions (1989), The Invisible Dragon: Four Essays on Beauty (1993), and Air Guitar: Essays on Art and Democracy (1997). Hickey received the Frank Jewett Mather Award for Distinction in Art Criticism in 1994. He is currently associate professor of art criticism and theory at the University of Nevada, Las Vegas.