Burn After Reading

Director: Joel Coen, Ethan Coen Joel Coen, Ethan Coen,

Overview

Joel and Ethan Coen's jet-black comedy Burn After Reading begins with CIA agent Osborne Cox (John Malkovich) losing his job. This prompts his long-suffering, unfaithful wife (Tilda Swinton) to consult a lawyer about divorcing him. Osborne decides to write a book about his exploits, but an early draft of his work ends up lost at a gym where it's found by the dim-witted Chad (Brad Pitt, and the plastic-surgery obsessed Linda (Frances McDormand). They decide to blackmail Osborne in order to help Linda pay for the numerous procedures she wants to undergo. Things grow even more complicated when Linda starts an affair with Harry (George Clooney), who also happens to be sleeping with Cox's wife.

Product Details

Release Date:	12/21/2008
UPC:	0025195016490
Original Release:	2008
Rating:	R
Source:	Focus Features
Region Code:	1
Presentation:	[Wide Screen]
Sound:	[Dolby AC-3 Surround Sound]
Time:	1:00:00
Sales rank:	7,291

Special Features

Finding the Burn - The Making of Burn After Reading; ; DC Insiders Run Amock - An all-star cast creates the world of Washington, DC, insiders all trying to get ahead or find true love.; ; Welcome Back, George - This comedy piece features Mr. Clooney as he returns for his third collaboration with Ethan and Joel

Cast & Crew

Performance Credits

George Clooney	Harry Pfarrer
Frances McDormand	Linda Litzke
John Malkovich	Osborne Cox
Tilda Swinton	Katie Cox
Brad Pitt	Chad Feldheimer
Richard Jenkins	Ted Treffon
Elizabeth Marvel	Sandy Pfarrer
David Rasche	CIA Officer
J.K. Simmons	CIA Superior
Jeffrey DeMunn	Cosmetic Surgeon
Hamilton Clancy	Peck
Olek Krupa	Krapotkin
Michael Countryman	Alan
Kevin Sussman	Tuchman Marsh Man
J.R. Horne	Divorce Lawyer
Armand Schultz	Olson
Pun Bandhu	Party Guest
Karla Mosley	Party Guest
Richard Poe	Stretching Gym Patron
Dermot Mulroney	Star of 'Coming Up Daisy'

Technical Credits

Joel Coen

Ethan Coen

Joel Coen	Director,Producer,Screenwriter
Ethan Coen	Director,Producer,Screenwriter
Tim Bevan	Executive Producer
Carter Burwell	Score Composer
Ellen Chenoweth	Casting
David Diliberto	Associate Producer
Eric Fellner	Executive Producer
Jess Gonchor	Production Designer
Robert Graf	Executive Producer
Roderick Jaynes	Editor
Peter Kurland	Sound/Sound Designer
Emmanuel Lubezki	Cinematographer
David Swayze	Art Director
Mary Zophres	Costumes/Costume Designer

Scene Index

Disc #1 -- Burn After Reading
1. You're Out (Main Titles) [3:56]
2. About Us [4:13]
3. Explosive Memoir [6:52]
4. Elective Procedures [5:48]
5. Fun & Games [4:41]
6. Raw Intelligence [5:15]
7. Good Samaritan [6:29]
8. Point of No Return [5:41]
9. Consequences [3:23]
10. Interesting Secrets [3:12]
11. New Experiences [3:50]
12. Served & Witnessed [2:36]
13. Under Surveillance [:44]
14. Trapped [3:32]
15. Messy & Complicated [4:59]
16. Grow Up! [5:38]
17. Insufficient Funds [5:03]
18. The Idiocy Of Today [5:31]
19. What Did We Learn? [6:27]
20. End Titles [2:52]

Menu

Disc #1 -- Burn After Reading
   Play
   Scenes
   Bonus Features
      Finding The Burn
      DC Insiders Run Amuck
      Welcome Back George
   Languages
      Spoken Language
         English 5.1
         Français 5.1
      Subtitles
         English SDH*
         Español
         Français
         Subtitles: Off

Editorial Reviews

The opening shot of the Coen Brothers' new black comedy Burn After Reading takes the viewer from outer space to inside CIA headquarters. The last shot takes us out of that building, back up into space. This device makes it clear that Joel and Ethan are playing God. They have devised a shaggy dog tale where almost every single person acts only in their own self-interest, and nobody gets away unscathed. It's the darkest comedy they've made since Barton Fink, and it might be mistaken for a work of genuine misanthropy if it wasn't so funny. The complicated -- but never confusing -- plot begins when CIA agent Osborne Cox (John Malkovich) learns from his boss that he is being demoted. Cox quits in a fit of pique, all the while throwing F-bombs around with comfort and authority -- like a Princeton-educated Scorsese gangster. The language, as well as the fact that characters are always saying Osborne's last name, make it clear that right from the beginning that vulgarity is one of the movie's major themes. Upon learning of his unemployment, Cox's wife (Tilda Swinton) hires a lawyer to begin divorce proceedings, a move that eventually leads to a lost CD that may contain sensitive state secrets. That information comes into the hands of Linda Litzke (Frances McDormand), a middle-aged woman who needs lots of money in order to reinvent herself with massive amounts of plastic surgery; and her dim best friend, Chad, played with wonderful comic timing by Brad Pitt. Chad swears just as often as Cox does, but for very different reasons. Where Cox's profanity reveals his boundless sense of superiority, Chad simply knows no better way to express himself. When Chad meets face to face with Cox to blackmail him, it's a hilarious clash between an idiot and an a-hole. It would be unfair to reveal how inveterate womanizer Harry (George Clooney) -- and his newest invention -- figure into the plot, because watching this story unfold is so much fun. The movie is written like a screwball comedy, but it's paced like a drama. When audiences might expect the film to build a head of steam like the last half-hour of Raising Arizona, the Coen Brothers refuse to play along. It would appear that they are interested in something more than a straightforward comedy; all of the characters are morally ugly, a fact underscored by the movie's anti-glamorous look -- there is a prominent lack of makeup on just about everybody. The film is populated with realistic grotesques whose selfish, vulgar actions have ramifications that extend far beyond their myopic self-interest. The movie works as a silly R-rated comedy to be sure, but it does have the kick of an adult Grimm Brothers fairy tale with a moral about what awaits those who behave very badly. In its own way, Burn After Reading is as despairing a film about human beings as No Country for Old Men, it just happens to be full of belly laughs rather than existential angst.

All Movie Guide - Perry Seibert