by Robin McKinley


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“A fierce and beautiful story of rage and compassion, betrayal and loyalty, damage and love...A fairy tale for adults, one you'll never forget.”—Alice Hoffman, New York Times bestselling author of The Rules of Magic

The only daughter of a beloved king and queen, Princess Lissar has grown up in the shadow of her parent’s infinite adoration for each other—an infatuation so great that it could only be broken by the queen’s unexpected passing. As Lissar reaches womanhood, it becomes clear to everyone in the kingdom that she has inherited her late mother’s breathtaking beauty. But on the eve of her seventeenth birthday, Lissar's exquisite looks become a curse...

Betrayed and abused, Lissar is forced to flee her home to escape her father's madness. With her loyal dog Ash at her side, Lissar finds refuge in the mountains where she has the chance to heal and start anew. And as she unlocks a door to a world of magic, Lissar finds the key to her survival and begins an adventure beyond her wildest dreams.

Product Details

ISBN-13: 9780441012398
Publisher: Penguin Publishing Group
Publication date: 05/03/2005
Edition description: Reprint
Pages: 384
Sales rank: 1,218,036
Product dimensions: 5.50(w) x 8.24(h) x 0.96(d)

About the Author

Robin McKinley has won various awards and citations for her writing, including the Newbery Medal for The Hero and the Crown and a Newbery Honor for The Blue Sword. Her other books include Sunshine; the New York Times bestseller Spindle's End; two novel-length retellings of the fairy tale Beauty and the Beast, Beauty and Rose Daughter; and a retelling of the Robin Hood legend, The Outlaws of Sherwood. She lives with her husband, the English writer Peter Dickinson.

Read an Excerpt


By Robin McKinley


Copyright © 1993 Robin McKinley
All rights reserved.
ISBN: 978-1-4976-7367-0


MANY YEARS LATER SHE REMEMBERED HOW HER PARENTS HAD looked to her when she was a small child: her father as tall as a tree, and merry and bright and golden, with her beautiful black-haired mother at his side. She saw them, remembered them, as if she were looking at a painting; they were too splendid to be real, and always they seemed at some little distance from her, from all onlookers. They were always standing close together as she remembered them, often gazing into each other's eyes, often handclasped, often smiling; and always there was a radiance like sunlight flung around them.

Her mother had been the most beautiful woman in seven kingdoms, and seven kings had each wanted her for himself; but her father had won the priceless prize, even though he had been only a prince then, and his father hale and strong.

When the old king fell from his horse only a year after his son married, and died of the blow, everyone was shocked and surprised, and mourned the old king exceedingly. But he was forgotten soon enough in the brilliance of the young king's reign, and in the even brighter light of his queen's beauty. When the worst grief was spent, and such a joke could be made, some people laughed, and said that the most beautiful woman in seven kingdoms had the luck of seven kingdoms as well, for she was now queen of the richest, and for a mere year's wait.

It was the princess's nursemaid who told her this story, and told it often. It was the nursemaid's favorite, and became the little girl's, the long story containing many stories, of her parents' courtship and marriage. This story was better than anything read draggingly out of a storybook—for the nursemaid was uneasy with her letters, but as the ability to read was one of the requirements of her post, she was extremely anxious that no one should find this out. She told the princess that there was no need for dull stories out of heavy hard books, and as she made the storybook stories dull and the stories she herself told interesting, the princess came readily to agree, perhaps because her parents were only a little more real to her than the characters in the storybooks.

"Your lovely mother cast her eyes down when her new people said such things to her, for she was a modest girl then as she is a modest woman now; but everyone knew that she would have chosen your father over the other six kings even had he been a goat-boy with naught but a bell and a shepherd's stick to his name."

"Tell me about the task he was set," said the little princess.

"Ah, it was a terrible task," said the nursemaid, cuddling her close on her lap. "Each of the seven kings—six kings and one prince—was given a task, and each task was more difficult than the one before, as your lovely mother's father began to comprehend the setting of tasks; for such a joy was the daily presence of your lovely mother that her father was not eager to part with her. And so he looked to drive her suitors away, or to lose them on topless mountains and in bottomless valleys or upon endless seas. But who could blame him? For she is the most beautiful woman in seven kingdoms, and he died of a broken heart eight months after she married your father and left him, and even your uncle, who is now lord of those lands, says the country, the earth itself, is sad without her."

"The task," said the princess.

"I was coming to it," said the nursemaid reprovingly. "So your father was the seventh suitor after the six kings, because his father thought he was young to marry, and had heard besides that your lovely mother's father was setting such tasks that might lose him his only son. But in the end he did his son no favors, for his son—your father—would go, and so it was he who had the last and hardest task."

"And what was it?" said the princess, though she had heard this story many times.

"I am coming to it. The task was to bring a leaf plucked and unfallen from the tree of joy, which grows at the farthest eastern edge of the world, and an apple plucked and unfallen from the tree of sorrow, that grows at the farthest western end of the world.

"And when your lovely mother's father said the words of the task, he smiled, for he knew that no living man could accomplish it; and so at worst his daughter had but six suitors left.

"But he did not see the look that passed between his daughter and her seventh suitor; the look that said, I will do this thing, and was answered, I know you will, and I will wait for you.

"And wait she did; four of the six kings returned successfully from their adventures, bearing what they had been ordered to bring. The word came that the fifth king had been killed, and that the sixth had thought better of his third cousin twice removed, and went home and married her—and I've always heard that they're very happy," the nursemaid added, doubtfully, to herself. "And she such a plain girl, with a heavy jaw and thick legs. They all say she's kind, and loves her husband, but if you're king 'twould be easy to find plain girls with thick legs to love you, a penny the dozen, and any such who was made queen would be sure to be kind from ... from surprise. It would be easy!" said the nursemaid, fiercely, pleating the edge of her apron with her fingers.

The princess fidgeted. "The task!"

The nursemaid started, and smoothed her apron, and put her arm again around the princess. "Oh, yes, my love, his task. So your lovely mother refused to choose among the four kings who had completed their tasks, saying that she would wait for the return of the last, which was only fair.

"The four kings grumbled—particularly since it was only a prince they were waiting for, and his father the king young yet—but your lovely mother's father smiled and smiled, because he began to suspect that some such a look as had passed between his daughter and her seventh suitor must have done so, and that his daughter waited for some reason other than fairness. He was well pleased, because he knew that no living man could bring back a leaf plucked and unfallen from the tree of joy, as well as an apple plucked and unfallen from the tree of sorrow. It might take a lifetime to do just the one or the other; and then the man who came at last within the shade of either of those great trees, did he once let those branches' immortal shadows touch him, might lift a sere and curled leaf or a bruised and half-rotted apple from the ground, and think his life well spent to do so much." The nursemaid was not easy with her letters, but she listened closely to every minstrel who sang in the king's halls, and she knew how a story should be told.

"So the father of the most beautiful woman in seven kingdoms smiled, for he foresaw that he would not need to set further tasks for the four kings, now sitting at his board, glowering and restless, because his daughter would refuse them all, waiting for the one who never came. And such was the love that he bore for his only daughter, and the desire for her presence, that he did not begrudge the entertainment of those four kings, however long they sat at table, however expensive their serving and stabling.

"But what he did not know was the strength of that look that had passed between the prince and the lady; for the strength between them of wanting and of need was greater than what one mortal man could do in one mortal lifetime. And so it was but a year and a day from your father's setting out on his quest, not caring that it was a hopeless one so long as he carried the look your mother had given him deep in his heart, that he returned. Because he loved her beyond life itself, and because he knew she loved him equally, he knew he must return; that knowing was greater than time and mortality.

"The old lord's health began to fail as soon as he set eyes on your father, striding into the court of his beloved's father, his face alight with happiness and hope; but I doubt your father noticed, for he had eyes only for the raven-haired lady sitting at her father's side. But everyone else noticed, and everyone remembered that your lovely mother's father had threatened to set a second task for any suitor she favored, so terribly did he want to keep her.

"But they said that when he saw the strength of the bond between them shining in your father's face, he did not have the heart to set any more challenges, for the strength of his own love made him recognize what he saw. Certainly he gave them his blessing when they turned to him and asked for it; but he gave it to them in the creaking voice of an old, old man, and when he passed his hands over their heads, the hands were thin and gnarled."

The princess, who did not care for old people, said, "But what of the leaf and the apple?"

"Ah, that was an amazement among amazing things. They thought the old king would defy this last successful suitor by saying that the leaf and the apple were not what they must be, but any shining leaf and any bright, round apple, for how is anyone to tell if something no mortal hands has touched before be that thing or no? But when your father took his tokens out of his pack and held them up for all to see, a strange blindness struck the company, as if their eyes had for the moment forgotten their work, or fled from the task of seeing. And they were dazed with this, with the betrayal of their own vision, and sank to their knees, and trembled, and did not know what had come to them, and only wished to return to their ordinary lives, and deal no more with marvels.

"But from out of their mazing they heard your father's laugh, and then there was a burst of flame that everyone saw, like a bonfire at Midsummer, blinding indeed if you look too closely, but a familiar kind of astonishment this was, one you understand and can turn away from. Everyone blinked, and in blinking their vision returned to them; and they looked around. The fire in the great fireplace had gone out; and it and the walls around it were blackened as by some great explosion, and the prince and the lady stood before that blackened hearth, now locked in each other's arms. And yet they had stood half across the wide court from each other before the blindness struck all those who watched."

"He had thrown them in the fire, the leaf and the apple," said the child.

"Aye, that he had," agreed the nursemaid. "Tokens worth the finest treasure in this world or any other, tokens no living man should be able to bear; and he threw them into the fire for the love of your mother, and felt no regret. For, he said, all the joy he needed was in your mother's eyes; and he could withstand any sorrow so long as he had once known that joy."

"And so they were married."

"Aye, they were married. The four kings came, and danced with your mother, and drank to your father's health; and went away sadly but politely, for they were all true kings. The successor of the fifth king was twelve years old, but he knew what was expected of him, or had ministers to tell him what to do, and he sent a handsome young lord who brought a golden casket full of pearls as a wedding gift. The sixth king ... sent his regrets by herald, with but a second herald to accompany him, and they also brought a gift, a quilt, a patchwork quilt, made by his heavy-jawed queen and her ladies, in shades of blue, embroidered with stars ... as well send an ostler with a horse blanket!" The nursemaid sniffed. "It cannot be imagined what your lovely mother's life could have been, with such a husband.

"The other kings have all since married too, and each of their queens has borne a son, and"— the nursemaid lifted the child off her lap, and gave her a little, intense, gleeful shake —"in twelve or fourteen years, your father will be setting tasks for them!"

The princess fell asleep nights thinking of the tree of joy and the tree of sorrow, and sometimes she dreamed of the sound of leaves rustling, and of the sweet, sharp, poignant smell of ripe apples. And she woke to another day bright with the presence of her parents, for they lit their world as the sun lights the great world, and every one of their subjects loved them and was grateful.

It was a favorite joke among their people that the way to be certain that it did not rain on any fair or harvest was to invite the royal couple to it. The sun himself, it was said, could not resist the queen's beauty, and loved nothing better than to tease the hidden red fires from deep within her glossy black hair.

There were no wars, nor even threat or thought of war, for the people were all too contented. It was said that any foreign danger, any officer from a rival king, would be so bewitched by the queen that he would charm his own master into renouncing his claim. The queen said nothing to this, neither yea nor nay, but smiled her secret smile, and cast her eyes down, as she had done when she was teased for her luck in her father-in-law's early death. The queen spoke little, but few words of her were necessary, for the wonder of her presence was enough.

When the king and queen made processions through their kingdom, the princess came too; and people were kind to her. They were kind to her when they noticed her, for all eyes were upon the king and queen, and she was but a child, and small, and shy; and during those early years of her life she worshipped her parents more than anyone, except, perhaps, her nursemaid.

Even her dancing-master, her riding instructor, and her mistress of deportment seemed able to think of teaching her only in terms of the queen's gifts and graces; and so the princess, who was only a child, thought little of her own talents, because by that standard she could not be said to succeed. And because she was a child, it did not occur to her to wonder why neither her nursemaid, nor her dancing-master, nor her riding instructor, nor her mistress of deportment ever said to her, "My dear, you are but a child yet, and the queen a woman in the fullness of her prime; you stand and step and move very prettily, you take instruction graciously, and I am well content to be your teacher." Her father and mother never suggested such things to her either; but then they never saw her practice dancing or riding, or sewing or singing. There were always so many other things for so popular a king and so beautiful a queen to do.

On the princess's twelfth birthday there was a grand party just for her, and all the lords and ladies came, and one of the sons of the once-rival kings, who was thirteen, and stood almost invisible among the tall figures of his guardsmen. There were musicians, and dancing, and talk and laughter, and the banqueting tables were piled high with beautiful savory food, and she could not bear it, that so many eyes should think to turn upon her as the cause of all this magnificence, and she ran and hid in the nursery.

When her old nursemaid found her at last, and washed her face free of tear-stains, and pressed her crumpled dress, and tidied her dark hair, and took her downstairs again, the queen was sitting at the head of the table, in the chair the princess had fled. The king sat at her right hand, and they were feeding each other bits of cake and sweetmeats, looking into each other's face, utterly absorbed in these things. The thirteen-year-old prince sat near them, watching, his mouth hanging a little agape.

The princess slipped away from her nursemaid, who would have wished to make her present herself formally. But even a royal nursemaid's jurisdictions end at the ballroom door. The princess found a chair standing next to a curtain and shadowed by the column at its back, and set herself silently down.

When the princess's return was noticed, and the dancing started again, one or two young men approached the princess hopefully. But she disliked her dancing lessons, and disliked being touched and held so by strangers, and she drew back in her chair and shook her head emphatically at her would-be partners. They went away, and after a little time no more came. She curled up on her gilt chair and rested her head softly on one of its velvet arms, and watched her mother and father dancing, their footsteps as light and graceful as the dainty steps of the royal deer.


Excerpted from Deerskin by Robin McKinley. Copyright © 1993 Robin McKinley. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Deerskin 4.4 out of 5 based on 0 ratings. 105 reviews.
-MetalHeart- More than 1 year ago
As a reader of McKinley's books I was well aware when I purchased Deerskin that there was a good chance there was going "fluff" in it, as was common in Dragonhaven and Spindle's End (also by Mckinley). However, I knew this would only increase my time spent with the novel, because Fluff tends to drag me down. I was thoroughly impressed with Deerskin though; not only was the Fluff minimal, but the story and Lissar's character herself were so gripping and intense on an emotional level that I couldn't wait to read it cover to cover. The story and what Lissar suffers is traumatic, and you immediately seek her happiness with her, as well as Ash of course. The only issue I had with Deerskin was the ending. It had a positive ending, but if felt rushed/abrupt. All in all an excellent read for a McKinley fan, and a great book to get you hooked on this author.
Cid More than 1 year ago
The Setting - is an old style kingdom, where magic is rumored but never seen. It begins in the court of Lissla's father who rules the largest, most powerful and rich country and is defined by being married to the most beautiful woman in seven kingdoms. But not all of the kingdoms are like his. There are the smaller, more personable kings who rub elbows with their people and endear them by their good hearts and honest concern. I loved the nod to her other books, namely The Blue Sword, which connects her other books and this into a sort of McKinley fairy tale world. The Characters - are not always alive on paper. Lissla as the featured character and narrator was alive. You felt her struggle. You knew her and you cheered her on. Ossin is the prince who falls in love with her because of their mutual love for their dogs, and while I will always treasure his character for that last, final chapter and his unfailing acceptance of what happened to her, I wish there was more chemistry on paper between them. Many of the characters though were merely defined by their office, such as doorkeeper, etc. The Plot - Deerskin for me is not an easy read. It's no secret I rarely read books that feature abuse of any kind as primary plot devices. But Deerskin is not just about the great evil that happened to Lissla, it's about how she conquered what happened to her through her love and devotion to the one creature that loved her unconditionally: her dog Ash. Lissla's relationship with the dogs teaches her to care again for others, and that is how she can begin the long process of learning to love another person. Deerskin is a wonderful, adult, fairy tale. I read this in high school and remember being very uncomfortable with it. I reread it now and loved it for the growth and struggles.
Guest More than 1 year ago
I found this book amazing. I was mesmorized withitn the first few pages into another new world created by the one and only Robin McKinley. This is without a doubt my favorite of all her novels, which just happens to coincide with the this novel, in my opinoin has the most depth and personal conflict in it. Deerskin can be interperted in many different ways, as a book and as the character herself, I enjoyed that immensly about the book. It is about how the reader interperts many different things as the book goes about. No doubt this is McKinley's most adult book, but that is not to say it is dirty or obscure. The author kept the more mature material to a realistic viewpoint of what a person feels, no more or less. All in the same time McKinley entwines references to her Damar series as well. All in all, I enjoyed every word of this book. I find it an amazing book of self-discovery, healing, and to an extent, romance.
Guest More than 1 year ago
I read the original fairy tale as 'donkeyskin,' which is only the barest foundation for this tale. This book could easily be called 'Moonwoman,' since they focus a great deal on the legend of a lunar woman who runs wild in the woods with her dogs. All the attendant lunar symbolism and elfish mystery was a treat. The heart of the story, however, is the emotional wounds of a princess who runs away from her fathers incestous fascination in her, and from unforgivable abuse. This integral aspect is why I call this book an 'unflinching'. 'Deerskin' follows this inner turmoil step by step, and the main character completely transforms during it's course. One of the more refreshing aspects of this novel is the altered role and aspect of 'prince charming,' who doesn't seem handsome or charming to his court! Nor is it his job to rescue the lady fair...exactly. I will say that Robin McKinley proves again that she knows how to write a touching romance, which kept me reading to the end. What kept my rating down on this one is that the writing doesn't quite live up to her content this time. It is enjoyable, but it isn't 'tight,' well-planned enough that you are fully involved throughout. Sometimes i found myself wading though the confused meanderings of the princess's damaged mind, hoping she get on to the next step of the narrative soon. Also, some elements of the original fairy tale seemed to be included as if to satisfy a quota. For example, the bit about her father making her three dresses the color of the sky, sun, and moon was dropped in at the last minute and didn't mesh well with the story. Overall though, I read this book quickly and was well-rewarded by the end. Her best books are the Blue Sword and the Hero and the Crown, but I recommend 'Deerskin' to anyone who is desperate for more Robin McKinley.
Anonymous More than 1 year ago
A truly insightful story about a very difficult topic. Be warned that there may be triggers in this dealing with sexual assault. But the resolution is very satisfying and healing. Another great read by this author.
thelorelei on LibraryThing More than 1 year ago
"Deerskin" is above all a meditation on the strength of the human psyche. McKinley has said that she wanted to explore the common fairy tale plot device wherein a young girl is saved from a "fate worse than death," as is the original Charles Perrault heroine on whom "Deerskin" is based. But, what if she isn't saved from that fate? Is "fate" really what this is? Is she lost forever? Is her worth somehow less than the girl who is magically whisked away from the act of violence? In McKinley's version, Lissar is "whisked" only after the fact, and on her own two feet (sometimes aided by the four feet of her loyal dog, Ash, who is possibly one of the best dogs in all of fiction.) This book is heart-breaking and heart-repairing. The characterization of Lissar is complete and the reader is carried into the depths of her pain and also her rejuvenation. "Deerskin" moved me deeply and continues to do so every time I re-read it.
tiamatq on LibraryThing More than 1 year ago
Princess Lissar is the daughter of the most beautiful woman in seven kingdoms. When her mother falls ill, she extracts a promise from the king that he will remarry again, but only to a woman who matches the queen in beauty. Lissar is mostly forgotten in the kingdom's mourning. However, a neighboring royal family sends their condolences and a puppy for Lissar. Ash, the fleethound puppy, is the only joy in Lissar's life, as she spends the next two years training her dog, learning herbalism, and avoiding her father. On her 17th birthday, when she becomes eligible to be married, Lissar's father decides that his daughter matches her mother's beauty and he will marry her. What follows is a brutal assault that leaves Lissar physically, mentally, and emotionally damaged. She flees the castle and is transformed by the moon goddess, becoming the mysterious Deerskin. As she tries to start a new life in the kingdom where Ash came from, she must grapple with her painful memories.Deerskin is a retelling of Charles Perrault's story "Donkeyskin." I was introduced to a variation of this story through Jim Henson's The Storyteller, where it was called "Sapsorrow." This story is beautiful and heartbreaking. McKinley's language is very traditional, moving at a slow but steady pace, which builds up great amounts of tension in the first part of the book. The relationship between Ash and Lissar will appeal to any dog-person - I gave my dog a lot of squeezes while reading, though she's the farthest thing from a fleethound! I was very caught up in Lissar's transformation from forgotten princess to a strong, almost-mythical woman.This isn't an easy read. I was drawn in by the characters and the language, and I had a pretty good-sized knot in my stomach during the first part of the book (and some of the second)! Lissar's healing process is difficult and worth reading, by those who enjoy retold fairy tales or those looking for a strong female character.
the_dragonfly on LibraryThing More than 1 year ago
I first read this book as naive and childless twenty-something, and though I loved it, I felt many of the more crucial aspects of it were flying past me; I knew there was much meaning in the story, particularly the jaw-dropping climax, but the fuller Truth of the story eluded me then. I recently re-read it as a more experienced woman, a wife, a mother, and I again felt the power of the story as interpreted by McKinley, a power lent from its roots in myth as much as from the author's command of expressive language and depth of character. It is not only a "fairy tale" re-told, but it taps into our mythic roots, and in fact much of the action that drives the story stems from the characters' deep human need for Story (with a capital "S"). But this myth within a myth is also one of the great feminist novels I have read, and the deepest story I gleaned from it in both my readings--unconsciously the first time around, and quite consciously the second--is one of self-realization and self-determination of the protagonist. She is no passive princess sleeping in a dead castle, this heroine, but a girl-to woman who learns to recognize and wield her power--to help others, and in the end, to simply know herself and reveal her true nature to others, both those who understand, and those who do not. It is an enormously empowering message. And for those not interested in feminist literature or explorations of myth, it is also, most importantly, a well-told tale with action, danger, pain, joy, and triumph. This is not a book for the very young or the faint-hearted, but its power transcends the fantasy genre and adds to the deeper Story that we all seek when we crack open that new novel for the first time. Definitely a book I will re-read again in the future.
tngolden on LibraryThing More than 1 year ago
This was one of those books that feels like you are in a warm place being told a story by a loving storyteller. It's a lyrical tale of a princess who is horribly abused and learns to look beyond beauty and find magic in the mundane. I thoroughly enjoyed this wonderful tale and hope to read more of this author's work soon. She is, in the oldest and most revered sense of the word, a storyteller.
Kivrin22 on LibraryThing More than 1 year ago
I don't think I got it. I received an advanced copy from my work, which is the only reason I read it. And that took me 3 years to do. I was pretty bored with the entire story. I loved [book: The Hero & the Crown], but I am not a fan of surrealist fiction. I love a good fairy tale, but this one didn't cut it.
Pompeia on LibraryThing More than 1 year ago
This book is pretty amazing. In the beginning, the tale follows the traditional storyline: the daughter of the most beautiful queen grows up to be an amazingly beautiful princess surrounded by luxury but remaining humble and sweet.I know, it doesn't sound all that interesting. However, where traditional fairytales would now start offering handsome princes and elaborate difficulties standing in the way of happily ever after, McKinley moves the story to darker themes of sexual abuse and consequent survival (hope that wasn't too much of a spoiler). I can only say that I really didn't see some of the plot twists coming - I was waiting for the typical miraculous rescue when faced with taboo-themed catastrophes, but this story turned out to be less typical.The book is written in a fairy-tale style, but I wouldn't recommend giving this to children. But for adults, this is entrancing and refreshing.
anyanwubutler on LibraryThing More than 1 year ago
Deerskin by Robin McKinley 309 pages 10/3/99 Perrault who wrote ¿Beauty and the Beast¿ and ¿Cinderella¿ also wrote a story even darker called ¿Donkeyskin,¿ that is rarely included in books of fairy tales. It¿s about a neglected daughter of a beautiful king and queen. When the queen dies, the king determines to marry but then rapes his own daughter. This story is how Lissar, the daughter and the princess becomes Deerskin and makes herself whole again. Her primary change agent is not magic, though that is part of the picture, but dogs and puppies. As a young woman when her mother dies, a foreign prince sends her a puppy. When she needs somewhere to run to she and her dog go to the foreign prince¿s kennels. It¿s a great and beautiful and terrible story.
thioviolight on LibraryThing More than 1 year ago
A retelling of Donkeyskin, the novel tackles the very real issue of "unnatural love" via a fairy tale setting. McKinley's story reflects by turns reality and the fantastic, and both sit well side by side and sometimes overlap. It addresses the core of the problem without shying away from it, and ultimately redeems the victim. A beautifully told tale!
Imshi on LibraryThing More than 1 year ago
This one was difficult for me to read (and definitely not for children!) I didn't really like it very much. I guess I just didn't see the point in the story, and I didn't like it enough to bother with rereading it, looking for a meaning. I love Robin McKinley's writing, but this book is definitely my least favorite.
Sorrel on LibraryThing More than 1 year ago
Deerskin is well written and compelling, but also incredibly distressing. It is a modern retelling of the fairytale Donkeyskin. Lissar is the daughter of an idolised king, and the queen who is `the most beautiful woman in seven kingdoms¿. Her parents do not seem to understand how or even why to love their child, and eventually Lissar is the victim of active abuse. This is the story of her escape and recovery.
silentq on LibraryThing More than 1 year ago
Not sure why I was in the mood for this very dark fairy tale adaptation (Donkeyskin is the original, often told in a bowlderdised fashion, aka without the incest), but I raced through it in two days. The language is beautiful though the events are horrific. Lissar is the only daughter of a glittering king and queen. The queen is the most beautiful woman in seven kingdoms and her father did an impossible task to win her. But then the queen fades and dies and the king goes mad at the loss. He fixates on his daughter, who has grown to look like her mother, and announced that he's going to marry her. Lissar is almost killed, the only reason she struggles to live is that her dog, Ash, survived the attack. They flee, leaving behind the horror, the castle, the city, the kingdom, trying to survive, to heal from their injuries, to build a new life somehow. There's a bit of magic, a lot of mental darkness, and a litter of puppies to save. The light and dark intertwine, like the Moonwoman that people mistaker Lissar for. The tale takes place in the far future of Damar, when dragons are only pony sized nuisances, and there are some slight echoes of Aerin in Lissar.
tjsjohanna on LibraryThing More than 1 year ago
I always think of this as the ultimate tale of a strong woman. There is much of tragedy in this book and the fairytale beginning quickly gives way to heart breaking terror. I've always thought it interesting that Ms. McKinley chose this topic - rape - and set it in a fantasy world and then was able to tell a story of healing through the magic of the setting. I liked that Ossin is pudgy (though tall) and not handsome and not at all the "ideal" fairytale hero, and yet he wins Lissar's heart when no one could. I loved the friendship and loyalty of Lissar and Ash, and the loving way that the fleethounds are described. This is a powerful book.
bluesalamanders on LibraryThing More than 1 year ago
I love nearly all of McKinley's books and this is no different, difficult though parts of it are.
StefanY on LibraryThing More than 1 year ago
I'm glad that this book was assigned to me for a class or I probably would never have picked it up from just looking at the cover. No offense to the artist, but there is something about the cover of this novel that I just do not like.That being said, I really enjoyed Deerskin. Loosely based on an old fairytale (Donkeyskin a French tale put in writing by Charles Perrault in the 1600's), Deerskin is the story of a princess (and her dog) who escapes horrors that happen to her in her home and takes on the life of a commoner.The novel contains a very fairytale-type feel through much of it but with a grit and edge that make it much less light and fanciful. There is quite a bit of magic involved in the story, but not so much as to make it a Sword and Sorcery style of tale. McKinley brings events of the story to life with a harsh and brutal edge when necessary while also showing a softer touch when needed to make the reader truly care for the characters.I thought that this was a good read and I would recommend it to others.
aprildt on LibraryThing More than 1 year ago
Loosely based on Donkeyskin, a fairy tale, this is the story of a princess who is abandoned and betrayed. Her only loyal friend is her hound, Ash. It is Ash who saves the princess's life and her sanity. The princess escapes the brutality and horror of her past by journeying to a far-off country, and she becomes somewhat of a legend in her own time: the Moonwoman. I could not put this down. I loved the healing and hope and the not-too-contrived happy ending. I have also read Beauty and Spindle's End, both by this author, and enjoyed them just as much.
kearnssk on LibraryThing More than 1 year ago
The first time I read this book, I wasn't sure I even liked it enough to finish it. It's by far the darkest of Robin McKinley's books. Now, I love it. It doesn't matter if you love dogs or horses, believe in magic or fairytale. What really matters is what happens to a young woman who has experienced the most devastating violation.
OTRgirl on LibraryThing More than 1 year ago
Roughly based on the story of Donkey Skin, this retelling deals with the after-shocks of an incestuous rape. It's a lovely, compelling story of redemption as well as a great dog/owner saga.
Nikkles on LibraryThing More than 1 year ago
Deerskin is one of my favorite books very interesting and moving. Its an emotional book and for a mature audience. The characters are really engaging and the plot is involved enough to keep you thinking. It is not the average fantasy novel, quite unexpected.
twilightlost on LibraryThing More than 1 year ago
I first read this book as a teenager and loved it then - rereading it as an adult has not taken any of the magic away. I do not know the fairytale that Robin McKinley uses as her base for this story but I prefer it so; it meant I had no preconceptions when coming to it for the first time. This book always catches me up in it's weaving and I cannot put it down until the satisfying, and tear-jerking, ending.
reconditereader on LibraryThing More than 1 year ago
Deerskin, by Robin McKinley, is a powerful retelling of the Charles Perrault fairy tale "Donkeyskin", about an incest survivor's recovery and healing. Often recommended, and for good reason.