The Coming of Conan the Cimmerian

The Coming of Conan the Cimmerian

Paperback(First Ballantine Books Edition)

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Overview

Conan is one of the greatest fictional heroes ever created– a swordsman who cuts a swath across the lands of the Hyborian Age, facing powerful sorcerers, deadly creatures, and ruthless armies of thieves and reavers.

“Between the years when the oceans drank Atlantis and the gleaming cities . . . there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars. . . . Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand . . . to tread
the jeweled thrones of the Earth under his sandalled feet.”

In a meteoric career that spanned a mere twelve years before his tragic suicide, Robert E. Howard single-handedly invented the genre that came to be called sword and sorcery. Collected in this volume, profusely illustrated by artist Mark Schultz, are Howard’s first thirteen Conan stories, appearing in their original versions–in some cases for the first time in more than seventy years–and in the order Howard wrote them. Along with classics of dark fantasy like “The Tower of the Elephant” and swashbuckling adventure like “Queen of the Black Coast,” The Coming of Conan the Cimmerian contains a wealth of material never before published in the United States, including the first submitted draft of Conan’s debut, “Phoenix on the Sword,” Howard’s synopses for “The Scarlet Citadel” and “Black Colossus,” and a map of Conan’s world drawn by the author himself.

Here are timeless tales featuring Conan the raw and dangerous youth, Conan the daring thief, Conan the swashbuckling pirate, and Conan the commander of armies. Here, too, is an unparalleled glimpse into the mind of a genius whose bold storytelling style has been imitated by many, yet equaled by none.

Product Details

ISBN-13: 9780345461513
Publisher: Random House Publishing Group
Publication date: 12/02/2003
Series: Conan Series , #1
Edition description: First Ballantine Books Edition
Pages: 496
Sales rank: 142,212
Product dimensions: 6.10(w) x 9.18(h) x 1.03(d)

About the Author

Robert E. Howard is one of the most prolific short story writers in American history, and has created such beloved characters as Conan the Barbarian, Kull of Atlantis, Soloman Kane, Bran Mak Morn, El Borak, and Dark Agnès de Chastillon. He tragically passed away in 1936.

Read an Excerpt

Cimmeria


Written in Mission, Texas, February, 1932; suggested by the memory of the hill-country above Fredericksburg seen in a mist of winter rain.

Robert E. Howard


Cimmeria


I remember

The dark woods, masking slopes of sombre hills;

The grey clouds' leaden everlasting arch;

The dusky streams that flowed without a sound,

And the lone winds that whispered down the passes.



Vista on vista marching, hills on hills,

Slope beyond slope, each dark with sullen trees,

Our gaunt land lay. So when a man climbed up

A rugged peak and gazed, his shaded eye

Saw but the endless vista - hill on hill,

Slope beyond slope, each hooded like its brothers.



It was a gloomy land that seemed to hold

All winds and clouds and dreams that shun the sun,

With bare boughs rattling in the lonesome winds,

And the dark woodlands brooding over all,

Not even lightened by the rare dim sun

Which made squat shadows out of men; they called it

Cimmeria, land of Darkness and deep Night.



It was so long ago and far away

I have forgot the very name men called me.

The axe and flint-tipped spear are like a dream,

And hunts and wars are shadows. I recall

Only the stillness of that sombre land;

The clouds that piled forever on the hills,

The dimness of the everlasting woods.

Cimmeria, land of Darkness and the Night.



Oh, soul of mine, born out of shadowed hills,

To clouds and winds and ghosts that shun the sun,

How many deaths shall serve to break at last

This heritage which wraps me in the grey

Apparel of ghosts? I search my heart and find

Cimmeria, land of Darkness and the Night.

The Phoenix on the Sword

The Phoenix on the Sword



"Know, oh prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the Sons of Aryas, there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars - Nemedia, Ophir, Brythunia, Hyperborea, Zamora with its dark-haired women and towers of spider-haunted mystery, Zingara with its chivalry, Koth that bordered on the pastoral lands of Shem, Stygia with its shadow-guarded tombs, Hyrkania whose riders wore steel and silk and gold. But the proudest kingdom of the world was Aquilonia, reigning supreme in the dreaming west. Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet."

- The Nemedian Chronicles.



Over shadowy spires and gleaming towers lay the ghostly darkness and silence that runs before dawn. Into a dim alley, one of a veritable labyrinth of mysterious winding ways, four masked figures came hurriedly from a door which a dusky hand furtively opened. They spoke not but went swiftly into the gloom, cloaks wrapped closely about them; as silently as the ghosts of murdered men they disappeared in the darkness. Behind them a sardonic countenance was framed in the partly opened door; a pair of evil eyes glittered malevolently in the gloom.

"Go into the night, creatures of the night," a voice mocked. "Oh, fools, your doom hounds your heels like a blind dog, and you know it not."

The speaker closed the door and bolted it, then turned and went up the corridor, candle in hand. He was a somber giant, whose dusky skin revealed his Stygian blood. He came into an inner chamber, where a tall, lean man in worn velvet lounged like a great lazy cat on a silken couch, sipping wine from a huge golden goblet.

"Well, Ascalante," said the Stygian, setting down the candle, "your dupes have slunk into the streets like rats from their burrows. You work with strange tools."

"Tools?" replied Ascalante. "Why, they consider me that. For months now, ever since the Rebel Four summoned me from the southern desert, I have been living in the very heart of my enemies, hiding by day in this obscure house, skulking through dark alleys and darker corridors at night. And I have accomplished what those rebellious nobles could not. Working through them, and through other agents, many of whom have never seen my face, I have honeycombed the empire with sedition and unrest. In short I, working in the shadows, have paved the downfall of the king who sits throned in the sun. By Mitra, I was a statesman before I was an outlaw."

"And these dupes who deem themselves your masters?"

"They will continue to think that I serve them, until our present task is completed. Who are they to match wits with Ascalante? Volmana, the dwarfish count of Karaban; Gromel, the giant commander of the Black Legion; Dion, the fat baron of Attalus; Rinaldo, the hare-brained minstrel. I am the force which has welded together the steel in each, and by the clay in each, I will crush them when the time comes. But that lies in the future; tonight the king dies."

"Days ago I saw the imperial squadrons ride from the city," said the Stygian.

"They rode to the frontier which the heathen Picts assail - thanks to the strong liquor which I've smuggled over the borders to madden them. Dion's great wealth made that possible. And Volmana made it possible to dispose of the rest of the imperial troops which remained in the city. Through his princely kin in Nemedia, it was easy to persuade King Numa to request the presence of Count Trocero of Poitain, seneschal of Aquilonia; and of course, to do him honor, he'll be accompanied by an imperial escort, as well as his own troops, and Prospero, King Conan's right-hand man. That leaves only the king's personal bodyguard in the city—besides the Black Legion. Through Gromel I've corrupted a spendthrift officer of that guard, and bribed him to lead his men away from the king's door at midnight.

"Then, with sixteen desperate rogues of mine, we enter the palace by a secret tunnel. After the deed is done, even if the people do not rise to welcome us, Gromel's Black Legion will be sufficient to hold the city and the crown."

"And Dion thinks that crown will be given to him?"

"Yes. The fat fool claims it by reason of a trace of royal blood. Conan makes a bad mistake in letting men live who still boast descent from the old dynasty, from which he tore the crown of Aquilonia.

"Volmana wishes to be reinstated in royal favor as he was under the old regime, so that he may lift his poverty-ridden estates to their former grandeur. Gromel hates Pallantides, commander of the Black Dragons, and desires the command of the whole army, with all the stubbornness of the Bossonian. Alone of us all, Rinaldo has no personal ambition. He sees in Conan a red-handed, rough-footed barbarian who came out of the north to plunder a civilized land. He idealizes the king whom Conan killed to get the crown, remembering only that he occasionally patronized the arts, and forgetting the evils of his reign, and he is making the people forget. Already they openly sing The Lament for the King in which Rinaldo lauds the sainted villain and denounces Conan as 'that black-hearted savage from the abyss.' Conan laughs, but the people snarl."

"Why does he hate Conan?"

"Poets always hate those in power. To them perfection is always just behind the last corner, or beyond the next. They escape the present in dreams of the past and future. Rinaldo is a flaming torch of idealism, rising, as he thinks, to overthrow a tyrant and liberate the people. As for me - well, a few months ago I had lost all ambition but to raid the caravans for the rest of my life; now old dreams stir. Conan will die; Dion will mount the throne. Then he, too, will die. One by one, all who oppose me will die - by fire, or steel, or those deadly wines you know so well how to brew. Ascalante, king of Aquilonia! How like you the sound of it?"

The Stygian shrugged his broad shoulders.

"There was a time," he said with unconcealed bitterness, "when I, too, had my ambitions, beside which yours seem tawdry and childish. To what a state I have fallen! My old-time peers and rivals would stare indeed could they see Thoth-amon of the Ring serving as the slave of an outlander, and an outlaw at that; and aiding in the petty ambitions of barons and kings!"

"You laid your trust in magic and mummery," answered Ascalante carelessly. "I trust my wits and my sword."

"Wits and swords are as straws against the wisdom of the Darkness," growled the Stygian, his dark eyes flickering with menacing lights and shadows. "Had I not lost the Ring, our positions might be reversed."

"Nevertheless," answered the outlaw impatiently, "you wear the stripes of my whip on your back, and are likely to continue to wear them."

"Be not so sure!" the fiendish hatred of the Stygian glittered for an instant redly in his eyes. "Some day, somehow, I will find the Ring again, and when I do, by the serpent-fangs of Set, you shall pay -"



The hot-tempered Aquilonian started up and struck him heavily across the mouth. Thoth reeled back, blood starting from his lips.

"You grow over-bold, dog," growled the outlaw. "Have a care; I am still your master who knows your dark secret. Go upon the housetops and shout that Ascalante is in the city plotting against the king - if you dare."

"I dare not," muttered the Stygian, wiping the blood from his lips.

"No, you do not dare," Ascalante grinned bleakly. "For if I die by your stealth or treachery, a hermit priest in the southern desert will know of it, and will break the seal of a manuscript I left in his hands. And having read, a word will be whispered in Stygia, and a wind will creep up from the south by midnight. And where will you hide your head, Thoth-amon?"

The slave shuddered and his dusky face went ashen.

"Enough!" Ascalante changed his tone peremptorily. "I have work for you. I do not trust Dion. I bade him ride to his country estate and remain there until the work tonight is done. The fat fool could never conceal his nervousness before the king today. Ride after him, and if you do not overtake him on the road, proceed to his estate and remain with him until we send for him. Don't let him out of your sight. He is mazed with fear, and might bolt - might even rush to Conan in a panic, and reveal the whole plot, hoping thus to save his own hide. Go!"

The slave bowed, hiding the hate in his eyes, and did as he was bidden. Ascalante turned again to his wine. Over the jeweled spires was rising a dawn crimson as blood.



II



When I was a fighting-man, the kettle-drums they beat,

The people scattered gold-dust before my horse's feet;

But now I am a great king, the people hound my track

With poison in my wine-cup, and daggers at my back.

- The Road of Kings.



The room was large and ornate, with rich tapestries on the polished-panelled walls, deep rugs on the ivory floor, and with the lofty ceiling adorned with intricate carvings and silver scrollwork. Behind an ivory, gold-inlaid writing-table sat a man whose broad shoulders and sun-browned skin seemed out of place among those luxuriant surroundings. He seemed more a part of the sun and winds and high places of the outlands. His slightest movement spoke of steel-spring muscles knit to a keen brain with the co-ordination of a born fighting-man. There was nothing deliberate or measured about his actions. Either he was perfectly at rest - still as a bronze statue - or else he was in motion, not with the jerky quickness of over-tense

nerves, but with a cat-like speed that blurred the sight which tried to follow him.

His garments were of rich fabric, but simply made. He wore no ring or ornaments, and his square-cut black mane was confined merely by a cloth-of-silver band about his head.

Now he laid down the golden stylus with which he had been laboriously scrawling on waxed papyrus, rested his chin on his fist, and fixed his smoldering blue eyes enviously on the man who stood before him. This person was occupied in his own affairs at the moment, for he was taking up the laces of his gold-chased armor, and abstractedly whistling - a rather unconventional performance, considering that he was in the presence of a king.

"Prospero," said the man at the table, "these matters of statecraft weary me as all the fighting I have done never did."

"All part of the game, Conan," answered the dark-eyed Poitainian. "You are king - you must play the part."

"I wish I might ride with you to Nemedia," said Conan enviously. "It seems ages since I had a horse between my knees - but Publius says that affairs in the city require my presence. Curse him!

"When I overthrew the old dynasty," he continued, speaking with the easy familiarity which existed only between the Poitainian and himself, "it was easy enough, though it seemed bitter hard at the time. Looking back now over the wild path I followed, all those days of toil, intrigue, slaughter and tribulation seem like a dream.

"I did not dream far enough, Prospero. When King Numedides lay dead at my feet and I tore the crown from his gory head and set it on my own, I had reached the ultimate border of my dreams. I had prepared myself to take the crown, not to hold it. In the old free days all I wanted was a sharp sword and a straight path to my enemies. Now no paths are straight and my sword is useless.

"When I overthrew Numedides, then I was the Liberator - now they spit at my shadow. They have put a statue of that swine in the temple of Mitra, and people go and wail before it, hailing it as the holy effigy of a saintly monarch who was done to death by a red-handed barbarian. When I led her armies to victory as a mercenary, Aquilonia overlooked the fact that I was a foreigner, but now she can not forgive me.

"Now in Mitra's temple there come to burn incense to Numedides' memory, men whom his hangmen maimed and blinded, men whose sons died in his dungeons, whose wives and daughters were dragged into his seraglio. The fickle fools!"

"Rinaldo is largely responsible," answered Prospero, drawing up his sword-belt another notch. "He sings songs that make men mad. Hang him in his jester's garb to the highest tower in the city. Let him make rimes for the vultures."

Conan shook his lion head. "No, Prospero, he's beyond my reach. A great poet is greater than any king. His songs are mightier than my scepter; for he has near ripped the heart from my breast when he chose to sing for me. I shall die and be forgotten, but Rinaldo's songs will live for ever.

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The Coming of Conan the Cimmerian 4.5 out of 5 based on 0 ratings. 61 reviews.
harstan More than 1 year ago
This anthology consists of the first thirteen (in chronological order of when released) Conan tales, which most literary historians agree were the start of the sword and sorcery sub-genre. The tales are well written and enhanced by terrific illustrations by Mark Schultz. Those who grew up with the Schwarzenegger films will find Howard¿s Conan a much more complete character (actually the Marvel Comic book series captured more of the original essence). The stories are exciting though they were written in the 1930s. The collection also includes much more information on the Conan tales including maps, an untitled draft and several synopses of potential future tales. The Miscellanea and Appendix sections are fun to read during spare moments as fans will gain an understanding of how creative the author truly was, but clearly the exhilarating stories is where the superb reading experience is at as that affirms Mr. Howard¿s greatness.----- Harriet Klausner
Guest More than 1 year ago
What's so exciting about a new Conan book? This is the pure stuff. Previous editions of Howard's Conan stories have been edited, posthumously completed, and presented in tandem with imitations. So this is exciting publishing! Considering Conan's decades old publishing history a little bit more historical information probably should have been included in the introduction and endnotes in this edition. It is great that this edition is concentrating on the newness and uniqueness of presenting unedited Howard, but a nod toward the men who first recognized the need to reprint the adventures of the Cimmerian is in order. Giving thanks to John D. Clark, Martin Greenburg, and especially L. Sprague de Camp (the editor of the immensely popular Lancer Books paperback series) would have been the proper thing to do. For first time readers of Robert E. Howard this book should mostly be a pleasure. Several stories here are classics deserving a far wider audience. As with all writers not every story is a diamond, but even Howard's rhinestones should please the reader a bit. Howard, at his best, was a gritty hard-boiled and cynical writer who berated the right targets: mistreatment of the different (in Tower of the Elephant) police brutality and forced confessions (in The God in the Bowl), the hubris of gods (in the Frost Giant's Daughter) imperialism and colonization (in Beyond the Black River, a story appearing in the next volume.) Sadly some of his tales have a glaring flaw. As the editor phrases it, 'violent ethnocentricism.' Hopefully, the reader can reflect on the social environment at the time these tales were written and forgive Howard for this woefully misplaced antagonism.
Arthur_Coombe More than 1 year ago
The first 13 of Robert E. Howard's Conan the Barbarian stories have been re-published in this trade paperback. Don't judge these by the standards of the Schwarzenegger films. (I happen to like those films, but for other reasons.) Written in the 1930s, these are literally the original sword and sorcery stories, with the brutal Conan constantly encountering monsters, enslaved princesses and evil sorcerers. Anyone who likes fantasy should read at least a couple, even if only to see how the genre began. My personal favorite is "The Tower of the Elephant." Now for the caveats. These stories were aimed at a largely male pulp magazine audience. This was the 1930s equivalent of today's action film. Therefore, the testosterone quotient is pretty high. Women are usually depicted as weeping damsels in distress, which won't please some female readers. The plots shamelessly cater to adolescent male fantasies and insecurities. Conan, the man of action, is always able to master whatever unexpected situation he's thrown into, usually by kicking butt all over Cimmeria, or Aquilonia, or whatever mythical country he finds himself in. Beautiful women melt at the mere sight of him. The plots are contrived so that these women are forced by circumstances to share his company. By the time the story's over, they refuse to leave him. When you get right down to it, the sullen, inarticulate Conan is essentially a rather one-dimensional character. But I didn't care about that when I read these stories as a teenager. After Howard committed suicide, other authors somehow took over the franchise and kept writing new Conan stories. Avoid these inferior works. I think they are now out of print, but they turn up regularly in used bookstores.
StefanY on LibraryThing More than 1 year ago
Overall - I really enjoyed this first volume of the collected short stories of Robert E. Howard and his magnificent creation; Conan the Barbarian. There was not a story in the collection that I was bored with or disliked and I would heartily encourage those who enjoy the fantasy genre to delve into these stories and explore the roots of what started the genre that we enjoy today. The only faults that I have with Howard¿s writing are the prevalent sexist and less prevalent racist attitudes that appear throughout these tales. I did find that I was able to overlook these flaws as a product of the attitudes of the general populace at the time of the stories origin and therefore could enjoy the works for their literary merit and the quality of the entertainment that I received from them even though I personally would have found these same ideas fairly offensive at times if present in modern day literature.Cimmeria ¿ This is a one page poem that sets the tone for the book very nicely. It is very descriptive in giving color and setting for the stories to come.The Phoenix on the Sword ¿ Excellent story to start the book. Set later in Conan¿s life after he is King of Aquilonia, this story is about a plot to assassinate the great King Conan. The setup and pacing are very nicely done and there is an excellent battle scene as well.The Frost-Giant¿s Daughter ¿ Another fine tale, if the rest of the book keeps up at this pace, I¿m in for a treat indeed. After a fierce battle in the arctic North, Conan meets a woman who he is driven to follow seemingly to his death. Howard¿s prose and descriptive narrative are fantastic as the Frost Giant¿s Daughter leads our hero through the frozen wastes.The God in the Bowl ¿ Not quite as good as the previous two. Conan is caught while attempting a robbery and falsely accused of murdering a man who lies dead in the building. Most of the story revolves around the investigation of the murder. The end is decent though , and I still liked it overall.The Tower of the Elephant ¿ The most action packed story in the book so far. Conan enters the mysterious and perilous Tower of the Elephant to steal a powerful gem from a sorcerer. There are many unexpected traps surrounding the tower and the action is pretty much non-stop.The Scarlet Citadel ¿ King Conan leads his army into battle to assist a fellow Lord. Conan however is duped and taken prisoner after a massive battle. This one started out a bit slower than most of the others, but maintained my interest level none-the-less. There are some good dungeon crawling scenes and a fantastic final battle that makes this story really rock!!Queen of the Black Coast ¿ Conan joins some sea-farers while being chased by local authorities in order to escape. I liked the change of pace in this one as it is a sea-faring adventure as opposed to the land-based battles of the previous ones. The crew finds a mysterious river and decides to travel up it to find the treasures that legend says are hidden somewhere up its poisoned waters. Black Colossus - This entry in the collection puts Conan at the head of an army. The story starts out a bit dry, but things pick up as it goes along and the battle scenes are quite entertaining.Iron Shadows in the Moon ¿ Conan and a freed slave girl journey to a supposedly uninhabited island where they find a mysterious temple and a band of pirates awaiting them. Along with these perils is a beast that might be more than a match for Conan. Xuthal of the Dusk ¿ Conan and his female companion wander through the desert to find a strange city. They meet a beautiful woman who rules the city and desires Conan. Foul deeds cause the disappearance of Conan¿s woman and he must search the dark recesses of the city to find her. Howard creates a couple of very eerie and spooky scenes in this one that have a very good horror novel feel to them. It is a good example of the range that he has in his creative process.The Pool of the Black One ¿ This is a rollicking actio
mhatchett on LibraryThing More than 1 year ago
One of the best! He left us far too soon.
revslick on LibraryThing More than 1 year ago
This was just what was needing after a long week. I read Conan tales so much when I was younger that I could see Conan's battles with Thoth-amon. I could smell the evil of Set but remained confident because Mitra wasn't far behind. Howard is an action master. Imagine you're sitting up late at night and the campfire is glowing embers. At this point a voice chimes in with a tale of Conan. When he finishes somebody else says, wait I remember this one and then another and another and another. By Crom!! this be good for the spirit! Conan is the ultimate warrior archetype for living in the NOW...
weakley on LibraryThing More than 1 year ago
I love collected works that are fairly exhaustive in sourcing, or that have a point of view built into the editing. This one delivered. The point was a collection of the first 13 Conan stories that Howard wrote, in the order in which he wrote them, and as untouched as can be done this long after the fact. The efforts made to go back to the originals made this collection. It manages to carry off the feel of the thirties without intrusive footnoteing or pedantry. I think Howard would have enjoyed it.
badgenome on LibraryThing More than 1 year ago
The first of three Conan collections from Del Ray contains thirteen stories, some of which are considered among the best Howard has written - namely 'Queen of the Black Coast,' which features what is probably Howard's most mature depiction of a female character, and 'Tower of the Elephant,' one of my all-time favorite Howard stories, and one which shows a decidedly Lovecraftian influence. Even when Howard falls prey to annoying pulp tendencies - 'Xuthal of the Dust' and 'Vale of Lost Women,' I'm looking at you! - he's just too damn talented and convicted a storyteller for it to be a total wash. The package also contains plenty of extras, including some story fragments and outlines, and is generously illustrated, but Howard's muscular prose and galloping narratives are the reason to get this.
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1Hustler More than 1 year ago
This is a little disjointed
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Really good
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