Instead of concentrating on surface similarities and notions like influence, it argues for an ongoing dialogue, a continuing relationship between cinema and painting that plays itself out in the norms of visual representation, in the historical changes of the 'eye.'
|Publisher:||University of Texas Press|
|Edition description:||1st ed|
|Product dimensions:||6.22(w) x 9.26(h) x 0.91(d)|
About the Author
Angela Dalle Vacche is Associate Professor of Art History and teaches in the film studies program at Yale University. She is the author of The Body in the Mirror: Shapes of History in Italian Cinema.