A baby, a black hired hand, a bay horse, a gun, and a neighbor have all gone missing in the same corner of the Cherokee Nation West. Cherokee America Singer, known as Check, is none too pleased with these developments. As a wealthy farmer, the mother of five boys, and the matriarch of her family, she’s accustomed to wielding authority. And she’s determined to find out what’s going on.
In the aftermath of the Civil War, complex alliances and simmering race and culture clashes unite and divide the people living on Cherokee lands. Tensions mount and violence escalates, and the long arm of white law encroaches further into Indian Territory. Determined to survive and thrive on their own terms after decades of betrayal and hardship, Check’s family, friends, and neighbors must come together to avenge a crime, outwit federal authorities, and protect their sovereignty.
Inspired by Margaret Verble’s family history and written with dry humor and a lot of heart, Cherokee America is a different kind of Western, one told from a Native American point of view and with a mixed-race woman at its center. Check—member of a distinguished Cherokee family, daughter of a famous soldier and a slaveholder, wife of an abolitionist—is a necessary, revelatory addition to the literature of the American frontier.
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About the Author
MARGARET VERBLE is an enrolled citizen of the Cherokee Nation of Oklahoma. Her first novel, Maud's Line, was a finalist for the Pulitzer Prize. She lives in Lexington, Kentucky.
Read an Excerpt
Check had bought everything she’d come for, but frowned at her list and pursed her lips. She glanced at the scales on the counter. “I’ll take another three pounds of coffee, Mr. Taylor.” She folded her paper to a square and slipped it into her skirt pocket. Focused on bolts of cloth over the merchant’s head while he scooped the beans. The plinking of her purchase against the brass of the scales reminded her of hard rain on her tin roof. The sound provided some relief.
Mr. Taylor tipped the scale. Slid the beans into a burlap sack atop ten pounds already purchased. He retied the string and set his hand on a large spool of twine. “What else, Mrs. Singer?”
Check moved towards a barrel of nails. She should’ve brought Puny in with her. He’d know if they had enough. But she didn’t want to take chances. She plucked a nail from the quarter circle holding the longest. “Give me five pounds of these, please.” She looked into the dark back of the store to avoid Mr. Taylor’s eyes. He was a close friend of her husband’s, and there wasn’t anything to say about Andrew that hadn’t already been said.
Mr. Taylor came from behind his counter, scoop in one hand, burlap sack in the other. “If you need anything else, I’ll have Jim bring it out to you.”
“Yes, I know, thank you.” Check moved away from the barrel and back to the counter. She ran her fingers over ridges of wear. Was thinking she’d never noticed them before when she caught a streak of light in the sides of her eyes. She turned as sunlight and a young man in a blue shirt burst into the store together.
“She’s loaded, Aunt Check,” he said.
Check Singer was related to many people in the Nation. But not to that particular youth. His people, she thought, were from somewhere like Maryland, or maybe Vermont. Being called “aunt” by anyone other than kin made her feel old. She responded, “Thank you. But I’m not your aunt, Jim.”
“No ma’am, Mrs. Singer. But she’s loaded anyways.” Jim pressed his hands down the front of his pants. “I didn’t mean disrespect.”
Check shook her head. She knew she was irritable. But words to tamp her reactions were dammed off inside her. She tried to soften her face with her eyes. She liked Jim. He was long-legged and a worker. His lopsided smile and sandy hair would soon catch the eye of a girl. But not one of Mr. Taylor’s. His eldest, Florence, was being sparked by her oldest, Connell. How that would develop, Check didn’t know. And didn’t have time to think on. But all three of the Taylor daughters would marry improved land. Jim, a white, couldn’t improve any land without stealing it. And Suzanne Taylor would never condone that. Check turned back to Mr. Taylor. “I’ll send Puny if I need anything. And either Connell or Hugh will be around with a checkbook at the end of the month.” She hesitated, then added, “No matter what.”
“Don’t worry about sending Puny. Get me word, and I’ll get it there. We want to help as much as we can.” Taylor hoped Florence would marry Connell. The Singers paid with money drawn on an Ohio bank, not with produce or specie certificates. And Check Singer was a Lowrey, and the daughter of Colonel Gideon Morgan.
“I know. Thank you, Mr. Taylor.” Check turned towards the door
She turned back around.
“He’s in good hands, Check.” The storeowner’s stubble of new beard made him look more like a drunk than an affluent merchant. His head bobbed awkwardly, but the informality of address was an attempt to convey the depth of his feelings.
“Yes, Nash. I know. Thank you.” Check turned again, nodded, not directly at Jim but at the blue shirtsleeve holding the door. She walked towards the bright morning. Behind her, Nash barked, “Pack Mrs. Singer’s coffee and nails.”
Check staggered, overwhelmed with sunshine. It was still early in the planting season. The front of the store faced south and west, where the weather came from. She looked at the planks to get her bearings. Her ribcage was penned to a funnel by her corset; she feared for a moment she wouldn’t be able to breathe. She gulped, and reminded herself to take deeper breaths. That winter was over, and bodies need fresh air like houses and rugs. Jim slipped past her and was putting her last purchases into her wagon when she heard steps on the planks behind her. Words came in a shout before she turned. “You through, Mama?” Clifford was on her.
Check stepped back. “Yes, get the reins.”
Most Helpful Customer Reviews
I didn’t realize when I began reading this book that Cherokee America was a woman’s name. Called Check for short, Cherokee America is the matriarch of a prosperous family living in the Cherokee Nation during the 1870’s. Check’s husband is a white man who is on his death bed at the start of the novel. With a family of five boys and a potato farm to run, Check has her hands full as she tries to care for her husband in his final days. It is during this time that some pivotal events occur in the lives of her boys and some of her closest neighbors. As Check grieves for her husband, she is distracted by the shooting involving one of her sons, the disappearance of a young neighbor girl and then the murder of a member of the Cherokee Nation. While the story had some terrible events, I found the writing to have a sort of slap-stick humor at times. The characters were amusing and different. Also fascinating was the racial pecking order in the Indian Territory. Not too many years had passed since the Civil War and blacks who had been slaves were still at the bottom of the pecking order. Because of the crimes in the territory, federal Marshalls were sent in to investigate. This was counter-productive to the Indians and threatened previous treaties with the white man. The Indians worked together to seek their own justice, while satisfying the goals of the federal Marshalls. Readers who like historical fiction, westerns and Native American culture will enjoy this book. Sensitive readers should know there is no graphic violence, but there are some incidents involving the young men and their overactive libidos. Many thanks to NetGalley and Houghton Mifflin Harcourt for allowing me to read an advance copy and give my honest review.