Bruce Davidson: Circus

Bruce Davidson: Circus

Bruce Davidson: Circus

Bruce Davidson: Circus

Hardcover

$60.00
Available for Pre-Order. This item will be available on May 23, 2023

Overview

One of the world's most influential photographers, Bruce Davidson takes readers inside three midcentury big tops in images that are poetic, realistic and profound. He reveals not only the swiftly vanishing cultural phenomenon of the circus, but what might be called the eternal human circus. At a three-ring show in 1958 he climbed to the top of the tent to view the performances of the famous liontamer Clyde Beatty and human cannonball Hugo Zacchini. His deeper interest lay in the daily lives of circus performers and producers—the roustabouts and riggers, and the pretty girl who rode an elephant in what was called the "spec." He also made an intimate series of a dwarf clown. In 1965 at a huge multi-ring coliseum show, Davidson took a more critical look at performances under a steel-and-concrete environment; continuing behind the scenes, his vision became sharper and more surreal. And in 1967, Davidson caught the elegant exuberance of an Irish one-ring circus. He photographed the kinds of performances that are the essence of the medium, including a face-to-face encounter with an exceptional trapeze artist. Most of these pictures are published here for the first time.


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Product Details

ISBN-13: 9783958290174
Publisher: Steidl, Gerhard Druckerei und Verlag
Publication date: 05/23/2023
Pages: 104
Sales rank: 306,508
Product dimensions: 11.75(w) x 11.50(h) x (d)

About the Author

     Bruce Davidson worked as a freelance photographer for Life Magazine and joined Magnum Photos in 1958. As a documentary photographer, he produced two photo essays, "Brooklyn Gang" and the "Freedom Rides."  He photographed the Civil Rights Movement, including a rally in Harlem, Ku Klux Klan cross burnings, and the marches in Birmingham and Selma, Alabama. In 1966 he won the first photography grant from the National Endowment for the Arts to document East 100th Street in Harlem; this work was exhibited at the Museum of Modern Art.

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