At the age of 29, Sydney has already been once divorced and once widowed. Trying to regain her footing, she has signed on to tutor the teenage daughter of a well-to-do couple as they spend a sultry summer in their oceanfront New Hampshire cottage.
But when the Edwardses' two grown sons arrive at the beach house, Sydney finds herself caught up in a destructive web of old tensions and bitter divisions. As the brothers vie for her affections, the fragile existence Sydney has rebuilt is threatened.
With the subtle wit, lyrical language, and brilliant insight into the human heart that has led her to be called "an author at one with her métier" (Miami Herald), Shreve weaves a novel about marriage, family, and the supreme courage it takes to love.
'shreve excels at nuance and detail. She skillfully illuminates the tiniest of moments, offering readers a peek at the complex undertones coursing through the characters throughout the story." -Rocky Mountain News
"There is something satisfyingly clean, well functioning, pale, and delicious about an Anita Shreve novel. . . . Shreve's characters, grappling with desire, juggling their shame against their regret, are entirely welcome." -Boston Globe
'shreve's writing is textured, reflective, and generally flows with ease, to the point where the reader may be surprised at how quickly the pages turn."-Newsday
|Product dimensions:||5.25(w) x 5.75(h) x 1.50(d)|
About the Author
Anita Shreve is the critically acclaimed author of twelve books, including The Pilot's Wife, which was a selection of Oprah's Book Club, and The Weight of Water, which was a finalist for England's Orange prize. She lives in Massachusetts.
Hometown:New Hampshire; Massachusetts
Date of Birth:1946
Education:B.A., Tufts University
Read an Excerpt
By Anita Shreve
Little, Brown and CompanyCopyright © 2007 by Anita Shreve
All right reserved.
Chapter OneThree o'clock, the dead hour. The faint irritation of sand grit between bare foot and floorboards. Wet towels hanging from bedposts and porch railings. A door, caught in a gust, slams, and someone near it emits the expected cry of surprise. A southwest wind, not the norm even in August, sends stifling air into the many rooms of the old summerhouse. The hope is for an east wind off the water, and periodically someone says it.
An east wind now would be a godsend.
The energy of the morning has dissipated itself in fast walks and private lessons, in vigorous reading and lazy tennis. Even in a brief expedition to a showroom in Portsmouth to look at Audi Quattros. Mrs. Edwards, Sydney has been told, will need a new car in the fall.
There are guests in the house who must be attended to. One hopes for visitors with initiative, like a refreshing east wind. They are not Sydney's concern. Her afternoons are free. Her entire life, but for a few hours each day of overpaid tutoring, is disconcertingly free.
She changes into a black tank suit, the elastic sprung in the legs. She is twenty-nine and fit enough. Her hair is no color she has ever been able to describe. She is not a blonde or a brunette, but something in between that washes out in January, comes to life in August.Gold highlights on translucence.
Sydney has been married twice: once divorced and once widowed. Others, hearing this information for the first time, find it surprising, as if this fact might be the most interesting thing about her.
On the porch, red geraniums are artfully arranged against the lime-green of the dune grass, the blue of the water. Not quite primary colors, hues seen only in nature.
Knife blades of grass pierce the wooden slats of the boardwalk. Sweet pea overtakes the thatch. Unwanted fists of thistle push upward from the sand. On the small deck at the end of the boardwalk are two white Adirondack chairs, difficult to get out of, and a faded umbrella lying behind them. Two rusted and immensely heavy iron bases for the umbrella sit in a corner, neither of which, Sydney guesses, will ever leave the deck.
Wooden steps with no railing lead to a crescent-shaped beach to the left, a rocky coastline to the right. Sydney runs across the hot sand to the edge of the water. The surf is a series of sinuous rolls, and when she closes her eyes, she can hear the spray. She prepares herself for the cold. Better than electroshock therapy, Mr. Edwards always says, for clearing the head.
A seizure of frigid water, a roiling of white bubbles. The sting of salt in the sinuses as she surfaces. She stands and stumbles and stands again and shakes herself like a dog. She hugs her hands to her chest and relaxes only when her feet begin to numb. She dives once more, and when she comes up for air she turns onto her back, letting the waves, stronger and taller than they appear from shore, carry her up and over the crest and down again into the trough. She is buoyant flotsam, shocked into sensibility.
She body surfs in the ocean, getting sand down the neckline of her suit. As a child, when she took off her bathing suit, she would find handfuls of sand in the crotch. She lowers herself into the ocean to wash away the mottled clumps against her stomach, but then she sees a good wave coming. She stands and turns her back to it and springs onto the crest. The trick always is to catch the crest. Hands pointed, eyes shut, she is a bullet through the white surge. She scrapes her naked hip and thigh against the bottom.
She crawls onto the sand, the undertow carving hollows beneath her shins. A wave she hasn't braced for hits her back and neck. She wipes the tangle of hair from her face, the water from her eyes. She sees a shape on the beach that wasn't there before. A tanned chest, a splotch of red. A man in bathing trunks is holding a pink cloth, wide and lurid, before her.
"I've been sent with a towel. You're Sydney, right?"
How extraordinary if she weren't. Not another body in the water for a thousand yards.
Inside the house, the furniture is white, a good idea in theory, not in practice. The slipcovers on the two sofas are marked with faint smudges and worried stains, navy lint from a woolen sweater. Fine grains of sand have repeatedly scratched the surface of the maple floor as if it had been lightly scoured.
On the stairs down to the basement sits a basket of old newspapers, a wicker catchall for objects that are not part of the neutral decor but might prove useful. A sparkling purple leash. A neon pink pad of Post-it Notes. A Day-Glo orange life vest. Practicality and sports rife with unnatural color.
Although Mrs. Edwards gives the impression of having inhabited the cottage for decades, perhaps even generations (already there are family rituals, oft-repeated memories, old canning jars full of sea glass used as doorstops), they have owned the house only since 1997. Before then, Mr. Edwards confided, they simply rented other cottages nearby. In contrast to his wife, he seems a man incapable of deceit.
Sydney shares a bathroom with the guests, a couple from New York who have come in search of antiques. In the mornings, there are aqua spills of toothpaste in the sink, pink spots of makeup on the mirror. Used tissues are tucked behind the spigots. Sydney routinely washes out the sink with a hand towel before she uses it. She stuffs the towel into the hamper in the hallway on her way back to her room.
It was obvious immediately to Sydney that the Edwardses' eighteen-year-old daughter, Julie, was slow, that no amount of tutoring would adequately prepare her for the stellar senior year of high school Mrs. Edwards hopes for, a year that is almost certain, in Sydney's opinion, to defeat the girl. Mrs. Edwards speaks knowledgeably of Mount Holyoke and Swarthmore. Skidmore as a safety. Sydney can only blink with wonder. Julie is pliant, eager to please, and extraordinarily beautiful, her skin clear and pink, her eyes a sea-glass blue. Sydney can see that the girl, who seems willing to study all the hours of the day, will disappoint her mother and break her father's heart, the latter not because she won't get into the colleges Mrs. Edwards seems so knowledgeable about, but because she will try so hard and fail.
Salt encrusts the windows of the house on the diagonal, as if water had been thrown against the glass. The windows out to the porch have to be washed twice a week to provide any appreciation of the view, which is spectacular.
Sydney sometimes senses that her presence has upset the family equilibrium. She tries to be available when needed, present but silent when not.
The brothers will sleep in a room called the "boys' dorm." Julie has a room on the ocean side of the house. Mr. and Mrs. Edwards's bedroom looks out over the marshes. The guests, like Sydney, have been relegated to a room with twin beds.
Mr. and Mrs. Edwards have invited Sydney to call them by their first names. When she tries to say Anna or Mark, however, the words stick in her throat. She finds other ways to refer to the couple, such as your husband and he and your dad.
Sydney's first husband was an air racer. He flew through trees at 250 miles an hour and performed aerobatic stunts over a one-mile course. If he were to graze a gate or become momentarily disoriented by the Gs, he would hurtle to the ground and crash. When she could, Sydney went with Andrew to these races-to Scotland and Vienna and San Francisco-and watched him twist his plane in the air at 420 degrees per second. At air shows, Andrew was a star and signed autographs. He wore fireproof clothing and a crash helmet and was equipped with a parachute-not that a parachute would have been at all helpful thirty feet off the ground. For a year, Sydney found the air races exotic and thrilling. During the second year, she began to be afraid. Contemplating a third year and the possibility of a child, she pictured Andrew's fiery death and said, Enough. Her aviator, who seemed genuinely sad to see the marriage end, could not, however, be expected to give up flying.
Sydney met her second husband when she was twenty-six. Her right front tire blew on the Massachusetts Turnpike, and she pulled to the side of the road. A minute later, her Honda Civic was hit from behind. Because she had been standing at the front of the car and looking down at the tire, she was hit and briefly dragged along the pavement. Daniel Feldman, who had to cut the clothes off her body in the emergency room of Newton-Wellesley Hospital, chided her for pulling to a stop on a bridge. A week later, he took her to Biba in Boston.
Eight months into their marriage, and during his residency at Beth Israel, Daniel suffered a burst aneurysm in his brain. Receiving the news by telephone, Sydney was stunned, bewildered, wide-eyed with shock.
Most people, mindful of the sensitivities, do not point out to Sydney the irony of having divorced a man she was afraid would die only to marry a man who perished in the very place he ought to have been saved. But she can tell that Mr. Edwards is eager to discuss the situation. Despite his kindness and his affability, he cannot help but flirt with the details.
"Is the aviator still flying?" he asks one night as they are washing dishes. "Did you say your husband interned at the B.I.?"
Mrs. Edwards, by contrast, is not afraid of the blunt question.
"Are you Jewish?" she asked as she was showing Sydney to her room.
It wasn't clear to Sydney which answer Mrs. Edwards would have preferred: Jewish being more interesting; not Jewish being more acceptable.
The doctor was Jewish. The aviator was not.
Sydney is both, having a Jewish father and his cheekbones but a Unitarian mother, from whom she has inherited her blue eyes. Even Sydney's hair seems equal parts father and mother-the wayward curl, the nearly colorless blond. Sydney became Bat Mitzvah before her parents separated but then was strenuously raised to be a WASP during her teenage years. She thinks of both phases of her life as episodes of childhood having little to do with the world as she now encounters it, neither religion at all helpful during the divorce and death.
Not unlike a parachute at thirty feet.
For a week last summer, Sydney went to stay with Daniel's parents in Truro. The experiment was a noble one. Mrs. Feldman, whom she had briefly called Mom, had had the idea that Sydney's presence would be comforting. In fact the opposite was true, the sight of Sydney sending Mrs. Feldman into contagious fits of weeping.
For days following Daniel's death, Sydney's own mother refused to believe in the simple fact of the event, causing Sydney to have to say, over and over again, that Daniel had died of a brain aneurysm.
"But how?" her mother repeatedly asked.
Sydney's father came up from New York by train for the funeral. He wore a taupe trench coat, put on a yarmulke for the service, and, astonishingly, he wept. Afterwards, at dinner, he tried to reassure her.
"I think of you as resilient," he said over steak and baked potato.
The double blow of the divorce and death left Sydney in a state of emotional paralysis, during which she was unable to finish her thesis in developmental psychology and had to withdraw from her graduate program at Brandeis. Since then, she has taken odd jobs created by friends and family, jobs for which she has been almost ludicrously overqualified or completely out of her depth: a secretary in the microbiology department at Harvard Medical School (overqualified); a dealer's assistant at an art gallery on Newbury Street (out of her depth). She has been grateful for these jobs, for the opportunity to drift and heal, but recently she has begun to wonder if this strange and unproductive period of her life might be coming to an end.
"You must be the tutor."
"And you are?"
"Ben. That's Jeff on the porch."
"Thank you for the towel."
"You're quite the body surfer."
Sydney discovers that she minds the loss of her mourning. When she grieved, she felt herself to be intimately connected to Daniel. But with each passing day, he floats away from her. When she thinks about him now, it is more as a lost possibility than as a man. She has forgotten his breath, his musculature.
"So you answered the ad?"
Sydney wraps herself in the bubble-gum-pink towel. In the distance, she can see another man rising from a chair on the porch. He puts his hands on the railing.
"Are you a teacher?"
"No. I'm not much of anything at the moment."
Sydney cannot read the really. Dismissive? Disappointed? Intrigued?
Sydney has an impression of lighter hair, a slighter body. The man who is Jeff shuffles down the first set of stairs from the porch to the boardwalk, and, for a few seconds, he is out of sight. When he emerges onto the deck, she can see that he has on bathing trunks and a navy polo shirt.
Jeff waits for them at the head of the stairs. Sydney greets his feet first (in weathered boat shoes), his legs next (lightly tanned with golden hairs), and, finally, the faded bathing trunks (grayish with purple blotches; she guesses navy originally, an unfortunate wash with bleach). He steps back to make way for the two of them, and there's an awkward introduction in a small space. Sydney's nose begins to run with salt water. She shakes Jeff's hand. Hers, she knows, must feel icy.
"We've heard a lot about you," Jeff says.
Sydney is dismayed. She expected more.
Jeff's face is loose and open, the green eyes guileless. Sydney thinks it is probably not possible to be his age and guileless, but there it is. The family dog, Tullus (short for Catullus?), trots down the boardwalk and plants himself directly below Jeff's hands. This confirms her impression. Animals can always tell.
"Hey," Jeff says, bending to the golden retriever and ruffling him affectionately.
Mr. and Mrs. Edwards and Julie come out onto the porch, a nucleus intact. Ben wraps his arms around Julie and rocks his sister from side to side. Six glasses of iced tea have been set upon a teak table. Jeff picks up a glass and hands it to Sydney, smiling as he does so. She notices that he, like his brother and sister, has remarkably even teeth, and she imagines many thousands in orthodontia. Sydney, whose mother could barely remember to schedule regular checkups, has an imperfect smile, a slightly misaligned eyetooth its distinctive feature.
Ben has brown eyes like his mother. Jeff, Sydney can see, takes after his father.
Sydney leans against the railing and tugs the towel tighter. Her hair, she guesses, must be a horror of Gorgonlike dreads from the salt water.
Mrs. Edwards, who has previously seemed cold, is animated with her sons. On the porch, she is possessive, never still, touching them often, making it easy for them to touch her. She wants to be seen as the perfect mother. No, Sydney decides, she wants Sydney to understand that her sons love their mother best.
Sydney knows these facts about the brothers. Ben, who is thirty-five, works in corporate real estate in Boston. Jeff, thirty-one, is a professor of political science at MIT. Sydney half expects this information to be repeated on the porch, but Mrs. Edwards exercises unusual restraint in front of her sons.
Mrs. Edwards wears khaki culottes and a white polo shirt that reveals an intractable swell between her midriff and her waist. Sydney would advise tailored white shirts left untucked over longer pants-but it is not for her to say. Mr. Edwards dresses like a man who never thinks about his clothes: baggy khakis and even looser golf shirts that droop from his shoulders. Sometimes he puts his hands flat against the stomach that hangs like an adjunct on his tall frame as he lightly bemoans the doughnut he had at breakfast or the piece of coconut pie he gave into at dinner. One senses, however, that he enjoyed these treats, that he is not a man to forgo a fleeting pleasure in favor of vanity. Unlike Mrs. Edwards, who counts her carbs religiously and seems to be hastening herself to an early death with the eggs and meats and cheeses she eats in quantity. Even the low-carb ice-cream bars she snacks on at night seem, with their slick, viscous shine, to be depositing cholesterol molecules directly into her bloodstream.
Mrs. Edwards wears her blond hair below her chin line and often pulls it back in a banana clip that ought to be pretty but instead accentuates the square shape of her head and the half inch of gray roots at the scalp. Sydney would advise a haircut in the same way she might mention the tailored white shirts, but then again, it is not within her job description.
Jeff leans against the porch railing a few feet from Sydney. His slighter frame and its concavities suggest exposure, whereas Ben's body, comfortably on display, seems fully covered.
Excerpted from Body Surfing by Anita Shreve Copyright © 2007 by by Anita Shreve. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Most Helpful Customer Reviews
Sydney is a kind, affectionate, beautiful, young lady whose first marriage ended in divorce and a seond marriage resulting in the untimely death of her husband. While trying to reestablish a new life, she starts by answering an ad from a wealthy family to become a tutor for a mentally challenged teenage girl, Julie, who lives in a New Hampshire coastal home with her proud mother and gentle father. Two older brothers, Ben and Jeff, both with absolute different interests and careers, join their sister and parents for a weekend visit and meet Julie's tutor. Both brothers have an intense desire to develop a relationship with the live-in tutor but each for a different reason. Unexpected events, including Julie's sudden disappearance, exposes the tumultuous relationship between the two brothers and the previously undisclosed dislike they have for one another. This book is about love, competition, jealousy, insecurities, forgiveness and diversity. Other books I have enjoyed by this author include "The Weight of Water" and "Sea Glass".
Anita Shreve's books are hit or miss for me, but this is definately one of my favorites. I loved the setting, the protangonist, and the ending. This book really surprised me throughout; I was never quite sure where the author was going. I like being surprised at the end of a book, and this one didn't disappoint. I also really enjoyed Testimony, The Weight of Water, and Eden Close. It's interesting how several of the books take place in the same house, generations apart. You may also enjoy the novels of Alice Hoffman, including: The River King and Second Nature. Also, A Tree Grows in Brooklyn was a touching novel.
I have to say, I was a little disappointed with this book. After reading Eden Close, I thought I would be in for another great read by Anita Shreve. The beginning was a little slow, but I kept reading to see if it would pick up and get more exciting. About halfway through the book, there was a little more going on, and I started to really like it. But then it just went back to a slow story line. It just didn't keep me really entertained like I was hoping. However, on that note, I still really love Anita Shreve's writing style. She describes things so eloquently that I can picture everything. When I read her books, they almost have a calming feel to the writing and I really enjoy that aspect!
Who hires a young divorced live-in tutor for their teenage daughter when they have two sons who might find the arrangement convenient? That is just one of many implausible points in the plot I found curious. It was an interesting read though with an unexpected twist. Goes to show what happens when you jump to conclusions or make assumptions without all the facts.
Loved this for a quick summer read.
Sydney is once divorced, once widowed and decides to tutor the teenage daughter of the Edwards family. She arrives at their cottage and immediately the two older sons try to get to know her. There are tensions in the Edwards house that escalate when the daughter disappears and the closeness between Sydney and the brothers is threatened by jealousy in many forms. I enjoyed this book and give it an A+!
This is the first book I have read by Anita Shreve and I loved it. The story just had a flow to it . I liked how she had sections of years instead of just making it all one story. This helped to show what was going on at the time and how/if any the characters may have changed. I plan on using this book in my book group.
I'm not sure why this one got some poor reviews. I love how Anita Shreve combines a literary tone and eye for detail with soapy plots...a fun, plot-driven read that won't rot your brain.The book is written in a spare, poetic style. Though some people complained about the present tense, I didn't even notice. Many novels are written in the present tense these days! The story is set, interestingly, in a New Hampshire house that has appeared in 3 other Shreve novels (Fortune's Rocks, The Pilot's Wife, and Sea Glass). I thought this was a fun detail that added a sense of history/continuity and made the novel feel more "real."I thoroughly enjoyed the twisty (dare I say it--trashy! in a fun way) plot that focuses on a love triangle with one treacherous member.
There are very few books in my life that I picked up and read all in one day. Body Surfing is one of those books. Sydney, age 29, has not had a terribly easy life thus far. She has had two marriages, one of which ended when she divorced her husband and the other ended when she was widowed. We meet her as she tries to start anew working as a tutor to the teen daughter of a well-off couple spending their summer in a beach home in New Hampshire. The story wends its way through three years of relationship changes and emotional stories before its conclusion leaving Sydney in a better place... or at least a hopeful one.
Hated this book...choppy prose style was extremely distracting. Story was predictable......
The story of a young woman who spends the summer at the beach house of the family of the girl she's tutoring. Two older brothers are both attracted to her for different reasons. Anita Shreve is one of my favorite authors. She's adept at observing people and relationships and getting to the core truth of both. I also love the fact that so many of her books take place in the same house in different periods of time. Body Surfing is just what you want a summer read to be--absorbing, satisfying and enjoyable.
Great novel with a vivid writing style. Thanks to this book, visiting the New Hampshire coast is on my list of to-do's. The novel follows a young, intelligent woman as she blends into another family, falls in love, and faces some of her greatest fears. The author does a good job of asking whether being described as resilient can ever be a good thing.
I put this on my "to-read" shelf per cbn's recommendation, and I'm glad I did.The writing is sparse, almost minimal. Dialogue appears in brief exchanges, and scenes are rarely longer than a single paragraph. Present tense dominates throughout.Shreve illuminates these characters by showing us the push and pull between and among them... like an art exercise, drawing the negative space around the object rather than the object itself.
The prose style putme off at first - seemed broken and jumpy. But after a couple of chapters I got used to it. The story was a little predictable, but the characters grew on me and there were a couple of good surprises.
First book I¿ve completed in a month. Maybe I¿m in a slump. This certainly won¿t be the book to get me out of it, though it was quite serviceable, a novel that leaves one feeling satisfied, with little things to think about, but nothing I¿ll remember in a year. Yes, perfectly satisfactory, but somehow I still want more.
Great story incorporating the beach house found in other Shreve titles.
Sydney is 30 years old, twice married, one ending in divorce and the other leaving her a widow. Still grieving and at loose ends, she takes a tutoring job with the Edwards family who are staying at their beach house in New Hampshire for the summer. Mrs. Edwards is hoping Sydney can assist their daughter Julie in increasing her SAT scores. There is a mini soap opera surrounding the young Julie, but the bigger soap opera involves Julie's two older brothers, Ben and Jeff, and Sydney. Shreve is an excellent writer, but this is not her best effort. The characters of Ben and Jeff are underdeveloped for the important part they play in the book, and there are a number of far-fetched plot points.
Again, Shreve has taken the "abandoned/left behind woman" theme and again added a new twist. This is not her best, but as an audio it was a good distraction for traveling. She has skill and some good ideas, but I wish she would reconfigure her recurrent theme. Maybe she has issues in her life that need closure!
I thought the flow of this book was excellent, and I loved the way the chapters were separated. Shreve writes a very vivid picture of the characters and settings, which makes it easy to envision everything. The ending was startling, and it was an overall worthwhile read.
I really had a hard time getting into this book at first because of the style it was written. But once into it I really enjoyed it. It was interesting to see how the brothers were towards one another and the family dynamics.
An uplifting book about finding one's self... the imagery in this book is wonderful and will stay with you for a long long time.
Very well written story of grief, betrayal, and the importance of family.
I really did not like this book. I feel like the author was very distant when writing this book.
I wasn't expecting much from this book, and was pleasantly surprised during the first third. Anita Shreve writes with skill, although I could have done without quite as much description of what people are wearing - especially since they change their clothes at least twice a day. But she captures the scene of a WASPy New England family summering on the coast of New Hampshire perfectly.But by the last third, I started wondering whether she knew quite where she was trying to go with the development of Sydney and the course of her life, and the end felt a bit loose.I often find it difficult to enjoy books that are so focused on the emotions of their characters, because they seem somewhat false to me, but that is one problem I did not encounter here. Shreve nails the emotions in every situation, for every character, and it all feels just right. I didn't love the plot and felt the end was weak, but all the same this was an enjoyable read, and not as light as I had expected.
Disappointed is the key word of this review. Six months ago read Ms. Shreve's Wedding in December and enjoyed the read. The characters in Wedding were far more developed than in this novel. You were never able to understand why a woman who had been hurt in romance would fall so hard and so fast for some one.