The Body in the Kelp (Faith Fairchild Series #2)

The Body in the Kelp (Faith Fairchild Series #2)

by Katherine Hall Page

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Overview

Faith Fairchild, heroine of Katherine Hall Page's The Body in the Belfry returns to amateur sleuthing in The Body in the Kelp. This time around, Faith and her husband, Tom Fairchild, the handsome young minister, have left the little village of Aleford, Massachusetts for a summer on Sanpere Island, off the coast of Maine. But Tom is called away to a three-week religious retreat in New Hampshire, leaving Faith to amuse herself and care for baby Benjamin, now safely into his "terrible twos." The summer begins innocently enough, with Faith involved in a seemingly harmless mystery, a hunt for treasure, the clues to which are cryptically embedded in a patchwork quilt. Then she and young Benjamin almost stumble over the body of another summer resident along the beach, and Faith is forced into more serious — and dangerous — "detection."

Product Details

ISBN-13: 9781466806597
Publisher: St. Martin''s Publishing Group
Publication date: 12/15/1990
Series: Faith Fairchild Series , #2
Sold by: Macmillan
Format: NOOK Book
Pages: 212
Sales rank: 159,258
File size: 382 KB

About the Author

Katherine Hall Page’s first mystery, The Body in the Belfry, won an Agatha Award for Best First Mystery Novel. The fifteenth in the series, The Body in the Snowdrift, won the Agatha Award for Best Mystery Novel. Page was also awarded the Agatha for Best Short Story for "The Would-Be Widower" in the Malice Domestic X collection. She was an Edgar nominee for her juvenile mystery, Christie&Company Down East. The Body in the Lighthouse was one of three nominees for The Mary Higgins Clark Award.

Katherine Hall Page was born and grew up in New Jersey, graduating from Livingston High School. Her father was the Executive Director of The Kessler Institute for Rehabilitation and her mother was an artist. Page has an older brother and a younger sister. Early on the family developed a love of the Maine coast, spending summer vacations on Deer Isle. She received her BA from Wellesley College, majoring in English and went on to a Masters in Secondary Education from Tufts and a Doctorate in Administration, Public Planning, and Social Policy from Harvard. College had brought her to Massachusetts and she continues to reside there. Before her career as a full-time writer, Ms. Page taught at the high school level for many years. She developed a program for adolescents with special emotional needs, a school within a school model, that dealt with issues of truancy, substance abuse, and family relationships. Those five years in particular were rich ones for her. This interest in individuals and human behavior later informed her writing.

Married for more than forty years to Professor Alan Hein, an experimental psychologist at MIT, the couple have a twenty-seven-year-old son. It was during her husband's sabbatical year in France after the birth of their son that Ms. Page wrote her first mystery, The Body in the Belfry, an Agatha Award winner for Best First Mystery Novel. The fifteenth in the series, The Body in the Snowdrift , won the 2006 Agatha Award for Best Mystery Novel. Ms. Page was also awarded the Agatha for Best Short Story for "The Would-Be Widower" in the Malice Domestic X collection (Avon Books). She was an Edgar nominee for her juvenile mystery, Christie&Company Down East.The Body in the Bonfire was an Agatha nominee in 2003. The Body in the Lighthouse was one of three nominees for The Mary Higgins Clark Award.

Descended from Norwegian-Americans on her mother's side and New Englanders on her father's, Ms. Page grew up listening to all sorts of stories. Her books are the product of all the strands of her life and she plans to keep weaving.

Read an Excerpt

CHAPTER 1

Matilda Prescott was sitting up in bed piecing a quilt.

It was after midnight, but she wasn't sleepy. She never seemed to get really sleepy anymore and only tumbled in and out of fitful naps. Not what you'd call an honest-to-goodness night's sleep. Catnaps.

The cat, meanwhile, was snoring away at the foot of the pine four-poster that had been Matilda's grandmother's marriage bed. Matilda contemplated him with mingled affection and exasperation. Darn cat.

She put in the last stitches and cut the thread, then reached for a pencil from the nightstand. At the edge of the quilt top she lightly printed: "M.L.P." Matilda Louise Prescott. She'd always liked the way her name sounded. Solid. Then she added a few words. She'd embroider it in the morning.

The bedroom door opened a crack. Matilda glanced up briefly without surprise.

"Now what are you doing here at this hour? Oh, I know you're up and around. Don't think I don't know what's going on, but what do you have to come bothering me for? Just get out and leave me be. I'm sick to death of you. Sick to death of all of you."

The door closed. An hour later it noiselessly opened again. Matilda didn't look up. She thought she must be falling asleep, but this wasn't sleep. She needed some air. She gasped for breath. Too many covers. She seemed to be tangled up in the quilt, but when she tried to pull it off, it wouldn't budge.

Sick to death.

Faith Fairchild and her husband, Tom, were sitting on the porch of the small Maine coastal farmhouse they had rented on Sanpere Island for the month of August. Tom was reading and Faith was doing nothing. The house was set high upon a granite ridge, and a broad meadow swept down to a cove. Across the water was a lobster pound, and Faith had grown accustomed to the putt-putt-putt of the lobster boats delivering their catch. When the wind was right, or wrong, they could smell the bait and fuel for the boats, a powerful combination; but somehow it seemed to go with the territory.

The farmhouse had long since been converted to summer occupancy and was filled with all the appropriate paraphernalia a rusticator might need: croquet and badminton sets, picnic gear, rain hats, sun hats, star charts, jigsaw puzzles, fishing poles, butterfly nets, board games, and bookcases crammed with slightly musty copies of Wodehouse, Jack London, Mary Roberts Rinehart, E. Phillips Oppenheim, plus all the paperbacks the family had ever acquired as well as those left behind by tenants and guests, everything from Jackie Collins to May Sarton. The adjacent barn hadn't seen a cow in more than fifty years, and it too was filled to the rafters with equipment for leisure-time activities: bikes, a Ping-Pong table, canoes, a kayak, gardening tools. Faith found it daunting even to look in there and unconsciously stood a little straighter whenever she entered the door. All this clean living — plunges into the arctic water at dawn followed by cold showers, no doubt — left her feeling vaguely uneasy. As if Teddy Roosevelt's ruddy, hearty ghost was spying on her from behind one of the archery targets. Her plan for August had been something less strenuous in the Hamptons.

Tom, however, was delighted. This was exactly the way he and his family had spent their summers, and the rest of the year, on Massachusetts's South Shore. When the weather had been too bad for messing about with boats, rafts, or anything else that would float — and it had to be gale-force winds to discourage the little Fairchilds — they had holed up inside the house to play Monopoly for hours. Faith's idea of a good time as a child had been to stroll over to the Metropolitan Museum of Art and play hide-and-seek in the Egyptian wing, followed by hot chocolate at Rumpelmayer's. She loathed all board games, and the only card games she knew how to play were go fish and poker.

Still, she liked the farmhouse and her native curiosity —"dangerous curiosity" according to Tom — had prompted her to snoop around trying to piece together a picture of the Thorpe family who owned it but no longer used it.

There was a photograph album in the attic that affirmed her conviction that their shoulders were broad, calves sturdy, and haircuts terrible. They also seemed to have a penchant for wearing each other's clothes, or maybe they just bought them in lots. In any case, most of the garments were tan, and to say that L.L. Bean would have been haute couture describes them sufficiently. Nevertheless Faith had grown fond of the family and given them names she thought they would like — good Yankee names like Elizabeth, John, and Marian.

That Faith was here, five hours north of Boston, not two hours east of Manhattan, whiling away her time in this fashion, was due entirely to the blandishments of her neighbor and friend, Pix Miller, who had been coming to Sanpere since childhood. Pix painted such a vivid picture of deep-blue seas and murmuring pines that Faith agreed to try it. The fact that Pix also guaranteed a baby-sitter for two-year-old Benjamin Fairchild in the shape of her teenage daughter, Samantha, tipped the balance. At present Faith would have summered in Hoboken if someone had offered a baby-sitter along with it. They didn't call them "terrible twos" for nothing.

So, having made absolutely sure there was a bridge in good working order to the mainland, she packed her bug spray along with the Guerlain and prepared to "rough it." Pix was delighted. "You'll see. We'll have fun. There's always so much going on."

Staring at the absolutely calm water and flat horizon from the porch, Faith sincerely doubted that. Yet, although she wouldn't exactly say she was having fun, she was having something close to it. And Pix was right about one thing: Penobscot Bay was beautiful.

Plus there was the food — lobster, mussels, clams, fresh fish, and a small farmer's market on Saturdays with great vegetables and a goat cheese made by Mrs. Carlan that rivaled anything Zabar's stocked.

Faith's interest in food was personal and professional. She had risen to fame and fortune as the founder of a Manhattan catering firm, Have Faith, giving up the Big Apple for the bucolic orchards of New England when she fell head over heels in love with Tom Fairchild and married him soon afterward. Faith had a tendency to act precipitously. Tom, who was the village parson in Aleford, Massachusetts, did not. But this was a special case. A very special case.

Faith had managed to make life in the small town a bit more interesting by giving birth to Benjamin, finding a parishioner's corpse in Aleford's belfry, and getting locked in the killer's preserves cabinet — pretty much in that order.

Lately, when she was not chasing after Benjamin, conscientiously trying to help him reach his third birthday intact, she had been expanding the Have Faith product line — jams, jellies, chutneys, sauces. She was also thinking of starting up the catering business again in Boston, with the same name since Tom didn't seem to think it would rock the pews too much.

Faith was no stranger to the ministry. Her father and grandfather were both men of the cloth, and she had had an insider's view of parish life from childhood. The last thing she had ever thought she would do was stretch her sojourn inside the goldfish bowl into adulthood. But in some cases the heart knows no reason.

Tom was naively insistent that it was possible to have a private life in a small parish and urged Faith to feel free to go her own way and voice her opinions. Although when Faith's remark to someone in the Stop and Save that she thought skinny-dipping was more wholesome than ogling the centerfold in Playboy came back to him as the minister's wife advocating mixed nude bathing, he was momentarily thrown.

At present, well out of the public eye, Tom was reading a Wodehouse and chuckling out loud. He was steadily working through all of them, and Faith had noticed some distinctly odd expressions in his speech lately, as well as an ever-so-faint British accent. She had become accustomed to his habit of sprinkling his conversation with his own versions of French expressions picked up in one blissful sophomore year in Paris, and it appeared these would soon be joined by those of France's hereditary enemies across the Channel. Faith both hoped and feared Tom was going to be eccentric in old age. They had both turned thirty in the spring, not thirtysomething, just plain thirty, and Faith was thinking a lot about age these days.

The wild roses that grew up over the porch filled the air with an intoxicating fragrance. A single gull flew across the sky, then dove straight in to the dark green water.

Faith had had enough scenery. She jumped up.

"What ho, Thomas, you old curmudgeon. How about a spot of footwook? It's absolutely ripping out and I must fetch the chip off the old escutcheon from Pix's abode."

Tom, deep in a fantasy of his own personal Jeeves, wrenched his attention away from the book and focused on his wife. She had cut her blond hair short for the summer, and it suited her. Some women have a tendency to look like fourteen-year-old boys when they do this, especially when dressed in jeans and a white T-shirt as Faith was; yet no one would ever mistake her for anything but what she was — a beautiful, sexy, healthy, and, at the moment, restless woman. He recognized the signs and abandoned his book with a tinge of regret. He was not above guilt induction.

"This is my only vacation, you know, Faith."

Tom was leaving Benjamin and Faith for three weeks while he went to work as one of the invited speakers at what Faith referred to as Spiritual Summer Camp. In fact, it was a series of retreats sponsored by the denomination. The Fairchilds had spent the long car trip from Boston thinking up workshop titles: "Job: Paranoid or Persecuted?"; "Muscular Christianity: Implants or Exercise?"; "Matthew and John: Who Really Told It Like It Was?" and so on. Tom would actually be speaking and leading discussions around the theme "When Good People Do Nothing," which covered everything from the plight of the homeless to the role of the church under Fascism. Faith thought it would be more interesting to speculate about good people doing bad things, but Tom pointed out it was often the same and this way he could fit in more topics. Since no forces on earth, or in heaven, would have dragged her to one of these noble gatherings, she felt she was not in a position to argue.

"Come on, Tom, don't tell me you won't have plenty of idle moments, and it's not as if a resort on a lake in New Hampshire is exactly a penal colony. Besides, you need the exercise. You're getting fat."

Tom hurled himself out of the wicker chair and grabbed Faith. "Take that back!" he cried, gently twisting her arm behind her back and trying to kiss her at the same time. "And if I am, which I'm not, it's your fault for cooking so well."

Having gotten him out of his chair, Faith went inside for a hat and some sun block. She had no intention of looking like tanned shoe leather by Labor Day.

"Shore or woods?" Tom asked, following her. You could reach the Millers' cottage either by a faint path through the pines or by scrambling over the rocks by the water.

"I don't care — which do you want?" Faith replied.

"Woods, my dear, every time." Tom smiled wickedly. Soon after they had been married, Faith had happily discovered Tom's love of the outdoors, or rather love in the outdoors. Fresh air and/or open spaces were an instant aphrodisiac for him, and they had happened upon a soft carpet of moss about halfway to Pix's that was definitely beginning to show signs of wear. They started off hand in hand and Faith imagined they must look something like an overgrown Hansel and Gretel. Tom was in cutoffs, not lederhosen, but she quickly glanced behind her anyway for the bread crumbs as they left the brilliant sunshine for the cool shadows of the forest. The path was visible and there were no birds in sight.

Faith hadn't thought much about what Maine would look like, except she knew there would be a lot of water, rocks, and picturesque fishing villages. She was a city girl and proud of it.

Yet these ancient trees, draped in veils of gray moss and growing so close together they almost blotted out the sky, filled her with awe. So did the quiet. The pine needles cushioned their steps, and a twig cracking far away was all they heard, aside from an occasional rustle as some creature passed by. It was like a church. The time-honored simile, a cathedral. Maybe that was why Tom enjoyed making love here so much: Everything came together, so to speak. She decided to tell him this great insight, but not now — they had reached the carpet. "With my body I thee worship," she murmured.

Later, looking over at his peaceful face, eyes half closed gazing up at the dusty motes in the shafts of sunlight streaming down, she decided not to break the mood. What eventually did break it was insects — ants and the whine of a mosquito. That was the trouble with nature. It looked so good, but once you were out in. It, there were all these hidden drawbacks. It was so natural. Faith had never found that to be the case with Fifth Avenue for example, or Madison.

Tom slapped his arm. "Merde! These little buggers are eating me alive. Come on, Faith, let's get going."

They pulled on their clothes quickly and were soon approaching the cottage. Pix's family had been coming to the island for thousands of years and fortunately her husband, Sam, was a fervent convert. They had bought the land just after they got married, then built a small wooden summer house that sprawled out in several directions as various little Millers arrived. The oldest boy, Mark, was working as a sailing instructor farther up the coast, in a camp where ten-year-old Danny was currently a camper. Samantha, fifteen, preferred to stay on the island. Sam had taken off two weeks from his law practice in July and was returning at the end of the month.

Although the cottage was only about eighteen years old, it looked as if it had stood there for centuries. The clapboard was weathered gray, and Pix had planted delphinium, bleeding heart, phlox, and other old-fashioned flowers around the sides. There was a large vegetable garden in back and a substantial boathouse near the shore. This had recently been converted into a guest house, with a smaller shed nearby for Mark's sailboat and the dinghy the rest of them used to fish for mackerel, mostly in vain. Two potters, Roger Barnett and Eric Ashley, were currently renting the guest house, which the Millers still called the boathouse out of habit. Roger and Eric's own house, next to their studio and kiln, had burned down in May, and they had turned to Sam and Pix when they couldn't find a rental in the summer for love nor money.

As Tom and Faith approached, a giggling two-year-old traveling roughly at the speed of light zoomed around the corner, followed by two teenaged girls with outstretched arms, calling, "Benjamin! Stop!"

Faith could afford to look fondly on the scene. After all, she wasn't chasing him. His pudgy little legs were pumping away and his blond curls were plastered onto his forehead with the sweat of his exertion. He was laughing hysterically.

Samantha called out in explanation as she streaked past, "He thinks everything's a game!"

Faith and Tom nodded wisely, then went to find Pix.

She was in the kitchen making gin and tonics.

Tom gave her a big hug. "What a woman! You must be psychic. Even though I don't believe in all that, or at least not until Faith takes up table turning or Ouija boards."

Pix put everything on a tray and headed for the deck. Faith noticed that almost no one on the island ever stayed indoors when it was possible to be sitting out on a deck or in a field or on a rock. It probably had to do with the unpredictableness of the weather. It had been known to fog in for weeks on end, but Faith had a suspicion that Pix would go out anyway — in her sou'wester with a hot toddy.

Pix stretched out in an ancient canvas sling chair. That was another thing that made the house look old. It had been furnished with castoffs and permanent loans from Pix's relations, so everything looked as if it had been there forever. The wicker needed repainting and the Bar Harbor rockers new seats. All of which Pix and Sam planned to do as soon as they did everything else that needed doing. This was the only sure time of day to see Pix sitting. Usually she was picking berries, or making bread, or instructing the children in the flora and fauna of the area, or walking the dogs, or weeding the garden, or ...

(Continues…)



Excerpted from "The Body in the Kelp"
by .
Copyright © 1991 Katherine Hall Page.
Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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