- Good Girl
- Blown Away
- Two Black Cadillacs
- See You Again
- Do You Think About Me
- Forever Changed
- Nobody Ever Told You
- One Way Ticket
- Thank God for Hometowns
- Good in Goodbye
- Leave Love Alone
- Cupid's Got a Shotgun
- Wine After Whiskey
- Who Are You
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0886979809420

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Overview
Prior to the release of her fourth album, Blown Away, in the spring of 2012, Carrie Underwood claimed that she was getting back to having "real things to write about and real things to sing about" -- a sentiment that's all well and good but has precisely nothing to do with the brassy blowout of the finished product. Dispensing with any pretense that Underwood remains a down-home country girl -- the kind who takes carnival rides and sticks a daisy in her hair -- Blown Away is an unabashed glossy pop album, positioning Carrie as the heir to Shania Twain and Faith Hill's country diva act, pushing the comparisons so far that she looks like a runway refugee on the album cover and she concludes the hourlong marathon with a song written by Twain's former husband, Mutt Lange. Naturally, this showstopping act suits a former American Idol winner but, better still, this exercise in turn-of-the-millennium nostalgia is executed with skill and savvy, offering the kind of larger-than-life power ballads and cheerful, clomping arena country that have fallen out of favor in the early days of the 2010s. Not that Underwood and team -- led by producer Mark Bright and also featuring songwriters Ashley Gorley, Chris DeStefano, Josh Kear, Hillary Lindsey, and Ryan Tedder -- are ignorant of the country and pop trends of 2012. They find room for light, sunny pop ("Do You Think About Me," "Nobody Ever Told You"), a bit of Caribbean breeze on "One Way Ticket," and a stomping chant-along hook on "Leave Love Alone," and they splice Miranda Lambert and Gretchen Wilson together on the ludicrously fun "Cupid's Got a Shotgun," which is enough to make Blown Away not seem like a throwback even if its heart belongs to the days of diamond-certified albums. Sure, that diva worship makes it seem ever so slightly old-fashioned, yet this is Carrie's wheelhouse -- she's meant to sing these oversized ballads and hooks, she's meant to look as unattainable as she does on the cover. She's meant to be be a superstar and she's never seemed as comfortable with her calling as she does on Blown Away.
Product Details
Release Date: | 05/01/2012 |
---|---|
Label: | Arista |
UPC: | 0886979809420 |
catalogNumber: | 798094 |
Rank: | 12886 |
Tracks
Album Credits
Performance Credits
Carrie Underwood Primary Artist,Background VocalsEric Darken Percussion
Dan Dugmore Steel Guitar
Paul Leim Drums
Chris McHugh Drums
Jimmie Lee Sloas Bass
Jonathan Yudkin Fiddle,Cello
Aubrey Haynie Fiddle,Mandolin
Jimmy Nichols Piano,Keyboards,Wurlitzer
Gordie Sampson Background Vocals
Wes Hightower Background Vocals
Perry Coleman Background Vocals
Tom Bukovac Acoustic Guitar,Electric Guitar
Brad Paisley Electric Guitar
Ilya Toshinsky Acoustic Guitar,Bouzouki,Mandolin,Ukulele
Hillary Lindsey Background Vocals
David Hodges Background Vocals
Cary Barlowe Background Vocals
Jenifer Wrinkle Background Vocals
Charlie Judge Piano,Keyboards,Hammond B3
Mike Johnson Dobro,Steel Guitar
Technical Credits
Steve Stevens ComposerDerek Bason Engineer
Neal Cappellino Engineer
Robert John "Mutt" Lange Composer
Mark Bright Producer
Tom Shapiro Composer
Gordie Sampson Composer
Dave Berg Composer
Hillary Lindsey Composer
Chris DeStefano Composer
Ryan Tedder Composer
Simon Fuller Management
Todd Tidwell Engineer
David Hodges Composer,Engineer
Cary Barlowe Composer
Troy Verges Composer
Carrie Underwood Composer
James T. Slater Composer
Ashley Gorley Composer
Josh Kear Composer
Luke Laird Composer
Tom Douglas Composer
Ann Edelblute Management
Charlie Judge Programming
Chris Tompkins Composer
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