Asian American Art: A History, 1850-1970

Asian American Art: A History, 1850-1970

Hardcover

$80.00

Overview

Asian American Art: A History, 1850-1970 is the first comprehensive study of the lives and artistic production of artists of Asian ancestry active in the United States before 1970. The publication features original essays by ten leading scholars, biographies of more than 150 artists, and over 400 reproductions of artwork, ephemera, and images of the artists.
Aside from a few artists such as Dong Kingman, Yasuo Kuniyoshi, Isamu Noguchi, and Yun Gee, artists of Asian ancestry have received inadequate historical attention, even though many of them received wide critical acclaim during their productive years. This pioneering work recovers the extraordinarily impressive artistic production of numerous Asian Americans, and offers richly informed interpretations of a long-neglected art history. To unravel the complexity of Asian American art expression and its vital place in American art, the texts consider aesthetics, the social structures of art production and criticism, and national and international historical contexts.
Without a doubt, Asian American Art will profoundly influence our understanding of the history of art in America and the Asian American experience for years to come.

Product Details

ISBN-13: 9780804757515
Publisher: Stanford University Press
Publication date: 08/11/2008
Series: Asian America Series
Pages: 576
Product dimensions: 8.90(w) x 11.30(h) x 1.90(d)

About the Author

Gordon H. Chang is a professor of history at Stanford University and codirector of the Stanford Asian American Art Project. He is the author of many books and essays, including Friends and Enemies: The United States, China, and the Soviet Union, 1948–1972 and Morning Glory, Evening Shadow: Yamato Ichihashi and His Internment Writings, 1942–1945.

Mark Dean Johnson is a professor of art at San Francisco State University and co-director of the Stanford Asian American Art Project. He has collaboratively organized exhibitions such as Chang Dai-chien in California and With New Eyes: Toward an Asian American Art History in the West, and conferences including Expanding American Art History to Reflect Multiethnic Diversity. He is also the editor of At Work: The Art of California Labor.

Paul J. Karlstrom, former West Coast regional director of the Smithsonian's Archives of American Art, writes about modern and contemporary art in the United States. He is the editor of On the Edge of America: California Modernist Art, 1900–1950 and has contributed to major studies of Diego Rivera, Jacob Lawrence, and Yun Gee.

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