Anytime, Anyplace, Anywhere/This Is the Way

Anytime, Anyplace, Anywhere/This Is the Way

by Rossington Collins Band


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Hearing these two albums remastered in state-of-the-art sound is a serious revelation -- bands like this, not to mention Lynyrd Skynyrd, really thrive in digital playback, with the triple lead guitars (Gary Rossington, Allen Collins, Barry Harwood) cutting a wide, rich swath around Leon Wilkeson and Derek Hess' rhythm section while Bill Powell's majestically soulful organ and rippling piano fill out the body of the sound behind the vocals of Harwood and Dale Krantz. Anytime, Anyplace, Anywhere rode the U.S. charts for six months, mostly because it avoided the pitfall of being "Lynyrd Skynyrd lite" (depend on it; there's nothing "light" on the album). The attack on their instruments was meant to be heard live and, barring that, should at least be heard with the kind of sharpness you get here. From the hardest rocking passages to the lyrical bridge that closes the hook-laden "Don't Misunderstand Me," everything is in sharp relief, and when the wattage jumps up in the main body of "One Good Man," Krantz's vocals pretty much fill the room at medium volume, and the guitars combine into something almost larger than life on the break. This Is the Way comes off just as well sonically, and the band was trying something new and different here, aiming for a slightly more subtle and complex sound. Allen Collins -- who was all over the first album as a songwriter as well as a player -- contributed far less to this album's compositions (possibly owing to his personal situation growing out of the death of his wife in 1980), but the one song with his shared composing credit, "Gonna Miss It When It's Gone," has such great hooks all the way through and such a beautiful performance by Krantz on lead vocals that it's one of the highlights of the record, which also included the hauntingly beautiful a cappella number "Pine Box." Collins is on the album as a guitarist, and reasonably visible, making for a full complement of guitarists, but it does seem like Powell is much more visible on keyboards for the second album. Purchasers should note that this BGO release was in print at a time when the label was -- very briefly -- issuing very professionally done CD-Rs rather than factory-stamped/pressed CDs; these CD-Rs sound and play just fine, but for those who are concerned, the company says it will send factory-made discs to those who wish to exchange. The mastering and playback are fine, and the clarity certainly beats that of the late '80s-vintage MCA domestic CDs on these titles -- which, in any case, were out of print as of the mid-'90s.

Product Details

Release Date: 04/11/2000
Label: Bgo - Beat Goes On
UPC: 5017261204486
catalogNumber: 448
Rank: 5777

Album Credits

Performance Credits

Rossington Collins Band   Primary Artist
Allen Collins   Guitar,Rhythm Guitar
Billy Powell   Keyboards
Gary Rossington   Guitar,Rhythm Guitar,Slide Guitar
Leon Wilkeson   Bass
Barry Harwood   Guitar,Rhythm Guitar,Vocals,Slide Guitar
Derek Hess   Percussion,Drums

Technical Credits

Allen Collins   Composer,Producer
Billy Powell   Composer
Rossington Collins Band   Producer
Steve Klein   Engineer
Dale Krantz-Rossington   Composer
Gary Rossington   Composer,Producer
Howard Steele   Engineer
Leon Wilkeson   Composer
John Tobler   Liner Notes
George Osaki   Art Direction
Mike McCarty   Art Direction,Illustrations
Barry Harwood   Composer,Producer
Derek Hess   Composer

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Anytime, Anyplace, Anywhere/This Is the Way 5 out of 5 based on 0 ratings. 1 reviews.
Guest More than 1 year ago
After the Rossington-Collins Band breakup, this was Gary Rossington's next project. With wife Dale on vocals and some new guys (many who appear on the MCA ''Love Your Man'' and later incarnations of Skynyrd), they signed to Atlantic for a one shot deal resulting in this 1986 release. This is a good album, though it might sound dated by todays standards with use of synthesizers and saxophones. It's not as southern as it attempts to be more mainstream for the time, much like Johnny's Geffen album Van-Zant the year before, and like that album saw no commercial success. Untill this issue your best bet was vinyl, original CD's are very rare and fetch big prices at online auction sites. Turn It Up is a strong opening; the title cut smokes, and there's no song that sounds like a filler.. they may not have been standouts at the time, but the album has a good sound and is all 1st rate. If you're a Skynyrd or R-C-B fan you'll enjoy this one.