And All the Saints

And All the Saints

by Michael Walsh

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No crime figure of our time influenced the course of modern American culture the way Owen Madden did. Starting as the leader of the Gophers, the most violent Irish street gang in Hell's Kitchen, the immigrant Madden rose to prominence as the leading brewer and bootlegger in Prohibition New York. In due course, he also became Mae West's lover, the founder and proprietor of the Cotton Club, the owner of five heavyweight champions of the world, the man who gave his childhood friend George Raft his big break in Hollywood, and more. Now, Michael Walsh has created a fictionalized memoir that uses Madden's voice to trace his life from his boyhood in England to his heyday in New York and beyond in one of the most colorful and engrossing books of the season.

Author Biography: Michael Walsh lives in Lakeville, Connecticut.

Product Details

ISBN-13: 9780446613699
Publisher: Grand Central Publishing
Publication date: 01/28/2004
Pages: 592
Product dimensions: 3.92(w) x 7.00(h) x 0.81(d)

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Me and Marty was up on the roof puttin' down a sick pigeon when Ma called us in for supper.

Some folks will tell you to use an ice pick, but me I prefer to use a knife. A nice sharp knife, it has to be: real sharp, otherwise you might not kill your bird straightaway, and I always believed in being both quick and sure.

"Martin Aloysius Madden!" she shouted, and Marty's head swiveled on his shoulders like a lazy Susan that just got spun but good. Marty was more afraid of Ma than he was of getting hit by a locomotive on Death Avenue, which was to say pretty damn afraid, because Martin never had no taste for violence or any of that sort of thing, which is also why he wasn't helping me much with the pigeon. "Owen Vincent Madden! Both of ya get in here right this minute!" We could tell Ma was mad because that's what her using our two Christian names signified. In this she was pretty much like all the other Mas in the neighborhood, who would shout out the litany of given names of their miserable broods at full blast up and down the Avenue when they was especially peeved or put out.

Still and all, I didn't much like my full moniker in them days. My dear departed Da had always called me Owney, right up to the end on the dock in Liverpool. But since Da's death, no one else had called me that, and so it was by the name of Owen Vincent that I was first known in the great City of New York, although that was one of the things I determined to change as soon as I could, since I felt that a new land called for a new identity of my own choosing and the time to start was now.

"I'm not Owen Vincent, Ma. I'm Owney Madden of Tenth Avenue! And this here fella is me brother and sidekick, Marty." I glanced over at Martin, who was still wrestling with the pigeon, and the pigeon was getting the upper hand.

"I don't care who you're after callin' yourselves, you boys get down here right away," ordered Ma, and so now Marty and I had a problem, which was to kill this bird in jig time or let him go, which was hardly bein' merciful. Marty was all for freeing him because the bird was flopping around something fierce and trying to peck his hand, which was making it difficult for me to get the point of the knife into his mouth.

I, on the other hand, was for sending him on to the other side, because Ma was always complaining about how the pigeon shite on the windowsills looked disgusting, and here was I, trying to do her a favor, not to mention put this bird out of his misery, because that's the kind and moral thing to do. "Hold him tight, for sweet Jesus' sake," I said, but Marty was having his hands full and I could see he was about to lose control.

The bird didn't like the idea of going over to the other side any better than the rest of us, and it fought like hell, beating its wings and trying to bite my brother's fingers off, so I grabbed it away, figuring to do the job myself. I could hear Ma's heavy tread in the stairwell that led up to the roof from our flat on the top floor. Ma was a short woman who since our Da's death always dressed in black and wore her hair, which was already turning white, pulled back in a bun. She seemed old to us kids, but when I think back on it, she couldn't have been but a couple of years beyond thirty. People got older younger back then.

She poked her head through the door that led to the roof and was searching for us in the twilight, although luckily for us, her eyes were having trouble focusing in the dark. "What are you boys doin'?" she yelled. "Get down here and wash up before your supper gets cold. It's rude to keep me and May waitin'. " Across the North River, I could see the sun setting behind Jersey and I might have enjoyed the view if only the damn bird would keep still, cooperate and die.

"We're over here, Ma," piped up Marty just as that pigeon sank its beak into the heel of my thumb. I let out a yelp and dropped the knife, the knife my Da bequeathed me, which damn near flew over the edge of the roof and down the grimy ventilation shaft that must have seemed like a good idea to the reformers who built the dumbbell New Law tenements, but were mostly used as swill slops and garbage dumps by us tenants. That's goo-goos for you: always tryin' to fix one problem and creating two or three others. Which of course just gives them more to fix.

So there I was, one hand around the bird's neck, the other reaching for my knife, and my brother, Marty, just standin' there stupid.

Story of my life.

Just before the dreaded hand could clamp my ear and hoist me to my feet I managed to bring pigeon and knife together and that was the end of the job.

"Jesus, Mary and Joseph and all t'e saints," said Ma, looking down at the mess. "What in t'e name of God are ya doin'?"

"Nothin', Ma," says Marty.

Story of his life.

Then I was gone too, bein' dragged downstairs by my Ma and into the kitchen, which is where we took all our meals and where, truth to tell, we mostly lived on account of there wasn't much room on the top floor of 352 Tenth Avenue, New York, New York, just a tiny parlor with a stick or two of furniture; a bedroom, where Ma and my sister, May, slept alongside Ma's steamer trunk brought over from Ireland, which doubled as her hope chest; and a little kitchen where the bathtub lived along with the rest of the family. On cold winter's days we slept there, me, Marty, May and our Ma, boys with boys and girls with girls, wrapped up in blankets like penthouse Eskimos, which is pretty much what we felt like in the morning after the stove fire had gone out.

Now, Tenth in those days wasn't anything like it is today, what with the West Side Highway, the Lincoln Tunnel and Dyer Avenue and all. Tenth in those days — when it really was Tenth Avenue — was lined with five-story red-brick tenements, the kind where nobody felt superior to nobody else, on account of everybody was the same, which was to say poor, except for the landlords. There was a streetcar line running down the middle of it, and the rail yards were just across the way, which maybe wasn't so scenic, but the fact that there were fewer buildings on the west side of the avenue meant that there was a lot of light in the afternoon, and when you've lived in New York for a while, you realize that light is something that money can't buy, and here we were getting it for free.

I was still thinking about that bird as Ma yanked me downstairs. "Owen," she said, "you ought to be ashamed of yourself torturin' t'at poor t'ing. Tomorrow you'll go to church and say ten Hail Marys for the repose of its soul."

"But, Ma," I protested, "it's free now."

"Free as a boid, Ma," added Marty. He had already adopted the pronunciation of the neighborhood. I never saw anybody become an American as fast as Marty did. Me, I was hedging my bets. I figured it was better if the Americans thought I was English and the Irish knew I was Irish. Safer too.

"It don't matter whether it's hurt or not," replied Ma, who was never anything but Irish, even though she'd lived in England for a third of her life; like most real Irish, she never did learn to pronounce her th's. "You was after hurtin' t'at bird, and in God's mind t'at's all t'at matters."

That didn't make no sense to me then and it still don't. "But if nothin' happens, then you ain't guilty," I retorted as politely as I could, given that she still had me by the ear. "I mean the coppers gotta catch ya before they can arrest ya, right? Plus ya gotta've actually done it. Otherwise it's just —" I looked to Marty to help me out, the dumb cluck.

"Hearsay," says he.

"Somethin' like that," says I.

Ma settled this fine point of legal understanding by giving me a sharp yank on the lobe and letting me go. "Don't talk back to your mother, boy," she said. "God's listenin'. And so's Mary."

By now we were in the kitchen, where May was slicing a potato into the soup. Like Ma her name was Mary, but we called her May, because that's what the Irish did. "Owen, are you in trouble again?" she asked, smiling, and I guess if you asked me who was the first girl I ever loved, I would have to answer May — not in any filthy-dirty way, mind you, but purely because she was my six-year-old sister.

"I was just takin' the air, May," says me with a wink, and I knew that she knew I wasn't. There was this kind of secret communication between us, which I never had with Marty. Whenever there was trouble between me and Ma, May always stuck up for me, which was more than could be said for Marty.

"Liar," said Marty.

I threw a mock left at his head like I was the Black Prince, Peter Jackson himself, the Australian colored boy what could put down a white man with one punch. Even back then I loved the fight game, like my Da had, and couldn't help be a little bit proud that in the very year I was born Gentleman Jim had fought Black Peter to a sixty-one-round draw on his way to the heavyweight championship of the world.

Marty tried to duck but he never could duck very well and I caught him flush on the cauliflower. I couldn't help but follow through with a right to the old steak and chips, which dropped his jaw as he gasped for breath, and I woulda clipped him one right on the jaw, just like my Da had taught me, when ...


May's hand was bleeding. The peeler had slipped as she turned to look at us, and had nicked her finger. I was at her side in a flash, squeezing the wound and holding it tight under some fresh water. May never said nothin', just stood there very calm, letting me take care of her.

"I hope she don't get no blood in the spuds," said Marty, "or start into bawlin'. You know dames."

I was about to take another poke at him when Ma said, "No more fighting, you two." She had that tone in her voice that even the dumbest kid could understand, and I wasn't the dumbest.

"You know what Da made us promise," May said, her own pain forgotten.

At the mention of Da's name, Ma's anger was suddenly replaced by sorrow. "You know how I hate fighting," she said softly. "You know why I hate fighting."

We knew. Even though it was fighting what had got the Maddens, most of us, to America. And it was fighting that, I knew, was going to keep us here and help us make our way in the world. That was what I had already learned in England, and me I never had to learn things twice that really needed learning.

So we stood there, the four Maddens, a girl between me and my brother and our Ma standing off to one side, observing. Somebody had to lead and it might as well be me. "Let's eat," I said. The spud soup went down warm as we finished grace and we finished dinner, almost in that order.

We pushed our bowls away in anticipation of what we called the sermon, which was our mother's post-supper words of wisdom. Mary O'Neill Madden looked every bit of her thirty-two years, an unimaginable age to us then, as she addressed us.

"Children," she said.

It's funny how everyone considers his life to be unique and unusual, when in fact it's usually pretty much of the same old malarkey — absent husband, abundant alcohol, unruly offspring, bad companions, irresistible temptations, ugly sins. Then you live a few years and realize that every man jack of us is pretty much the same, with pretty much the same story, and somehow they came through it and somehow you did too, except of course for them what didn't. But it's the living that writes the stories.

So looking back on things, I guess Ma was no different from any of the boat women who came to America to raise their children, most often by themselves. Sure, there was kids that had fathers on our block, but most of the time the old man was either working or drinking, or both, in which case sure as shooting there would come a day when he would not come home, having fallen off a beam or drowned diggin' a ditch. So the point of whether you had a Da or not was moot. Which meant that it was up to the Mas of our world to try and keep the kids on the straight and narrow, and not lose them to the streets, which was next to impossible. For Ma — every kid's Ma — was Ireland, or Italy, or Germany; Ma was the old ways that had done the likes of us such dirt that we had to flee them. So we fled her, because what else could we do?

"You, Martin," she began, as she always did, with the oldest.

"You're all of thirteen years now, and it's time you were after t'inkin' about what you'll be doin' for a livin'."

"Yes, Ma," said Marty, shuffling his feet, the way he always did when he was nervous, which he always was in the presence of our Ma. "A fireman or somethin'."

Now, that I knew for a fact was a dirty lie, for sure wasn't Marty already starting into mixing it up with some of the boys on Tenth Avenue and the surrounding streets, and hadn't he already got himself into some sort of trouble or other. This trouble was principally caused by various tough lads resident on 30th Street and the environs who, seein' what they thought was a soft touch, would request of my brother various loans and remittances pursuant to his passage along 30th Street and environs. Which example he was after following, much as I tried to dissuade him — not for any moral reason, like the kind they taught you down 34th Street at St. Mike's, but for the most practical of reasons, which was that he lacked the talent for it.

Anyway, a paddy could always be a fireman, and at least he had the decency not to lie to her face and say a copper.

"A fireman," she repeated. Ma had nothing against firemen; in her book a fireman was the third rung of the career ladder, right after priest and policeman or maybe navvy or sandhog because there was always paying work for the Irish digging the tunnels for the aqueducts from upstate or the subways that were borin' in over on Seventh Avenue or both.

"You, May?" she said, out of courtesy. May hated to be left out of this kind of discussion, even though she was a girl and it didn't much matter. Her answer never changed.

"Married, Ma," she said, "to a rich man who'll live on Fifth Avenue and always treat me swell."

Now it was my turn. I don't know why it was always my turn last, except that I suppose Ma knew I was smarter than my brother and that when I set my cap for something, I generally did it. I knew that Ma was hoping I'd shoot high, all the way for priest, because the job was steady and the pay was regular. But I'd somethin' else in mind, something better than priest. Something that would combine the toughness of a fighter, like my Da had been, with the cannon-enhanced authority of the cop and the suasion of the padre, although morality had nothing to do with it.

"And you, Owen," she said. "What might you be after becomin'?"

I didn't have to think either long or hard. "A Gopher," says I, ducking.


The reason I wanted to be a Gopher was simple: them gangsters never had to work for a living, because there was no percentage in such nonsense, plus nobody took no guff off 'em either. Even after just a few months in New York, I had already figured out that my parents had been right, that there really was golden coins raining down from the heavens and running down the gutters: you just had to reach down and then pick them up, if only you had the sense to know where to look, the courage to take them and the moxie to keep 'em.

It was in precisely this area that I intended to distinguish myself from my own dear Da and all the Maddens that had gone before us. That of taking what Fortune offered, even if it meant grabbing it, instead of waiting for St. Nick to leave it on your doorstep. Born on the birthday of our Lord and Savior, 1891, or perhaps even a week earlier, I might have been inclined to wait for Himself to favor me with signs and signifiers. But even as a lad I was too restless for that.

The name Madden, or so Da used to tell me, means "hound," and indeed of all the animals that made it safely back to the flatlands from Mt. Ararat, I was most fond of dogs. Whether you spell it Ã" Madáin, O'Madden, O'Maddane, O'Madigane or Maddigan, it all amounts to the same thing: Madach.

My other favorite creature was the lowly pigeon, which my father had taught me to raise on the roof of our flats in Leeds and Wigan. "Sable, a falcon volant seizing a mallard argent," which is coat-ofarms-speak for our crest, which I can best describe as a vicious bird of prey grasping a hapless duckling with its talons and looking forward to its imminent dinner. Not exactly a pigeon, but aviary enough for me. We had that coat of arms above the dinner table; it was one of the things I brought over on the Teutonic with me on that terrible and glorious day that the Maddens proper set out for America, and there never was a day that I didn't identify with the falcon and not the mallard, and swore that would always be the case.

That was my Da's doing. Next to his wife and his children, pigeons were Francis Madden's special passion. The homely homing pigeon, to his eyes, was one of God's finest creatures, nearly infinite in its variety. Why, didn't the Bible record the sacrifice of a pigeon as being pleasing to our Lord way back when?


Excerpted from "And All The Saints"
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Copyright © 2003 Michael Walsh.
Excerpted by permission of Diversion Publishing Corp..
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And All the Saints 4.3 out of 5 based on 0 ratings. 3 reviews.
Guest More than 1 year ago
The chapters are well written and the characters are, by and large, memorable if not completely fleshed out as one might like. The first-person narration of this novel woefully limits the scope of description the reader requires for such an unfamiliar time in American history. Madden's voice is convincing, but sounds flat sometimes as though Walsh is afraid to slip into cliches of the era. The relationships between Madden and some of the characters who appear later on in the book aren't explained enough and seem forced. Famous people like Duke Ellington, Mae West and the like seem to just walk through and wave, leaving this reader asking for more. Madden's involvement in Hollywood was too rich to gloss over as Walsh does here. However, the dialogue is crisp and entertaining and the slang sharpened to perfection. Walsh succeeds in giving the reader an ear for the way people spoke back in 'dem days without seeming obvious or trite. Overall, a good effort that misses the greatness in its grasp.
manirul01 More than 1 year ago
harstan More than 1 year ago
In 1892 Leeds, England Owney Madden was born to Irish parents who decided to cross the Atlantic and make their fortune in New York. However, Owney¿s dad died before he left the British Isles, but his mother went ahead with their dream. Accompanied by her three children, she moves to New York¿s Hell's Kitchen. By the time Owney turned ten, he belonged to the Gophers, an intimating Irish gang. His prime lesson in Hoodlum 101 was that the real money existed in politics. So he turned to Jewish gang leader and Tammany Hall big shot Monk Eastman as his mentor. Advancing to Hoodlum 201 and 301, Owney learned the art of a well-placed bribe and what to do when the heat became too hot. He was involved with bootlegging during Prohibition and later turned to show business. Ultimately even after the Feds gave him an advanced lesson on closing the books, Owney cut a few last deals before moving to Hot Springs, Arkansas where he died in 1964. This biographical fiction blends the known facts of Madden¿s life with delightful period vernacular and tidbits into a strong account of one of the more famous twentieth century gangsters. Readers who enjoy tales like the Untouchables or Scarface will want to read Michael Walsh¿s fast moving story that is so loaded one must keep saying this is fiction as it seems as if the author interviewed and quoted the gangster. Where is Robinson or Raft with Mae West to play herself because this character and book will fascinate the audience including Hollywood. Harriet Klausner