After her father’s sudden death, Amy’s mom has decided to start anew—in Connecticut, just before the start of senior year. And she’s decided that it’ll be Amy’s job to get the car from California to Connecticut.
The only problem? Amy hasn’t gotten behind the wheel since the car accident that took her father’s life.
Enter Roger, a family friend, tasked by his mother to help Amy drive across the country. Amy’s not pleased to be driving across the country with a boy she barely knows, but as Amy gets lost on her cross-country adventure, she must confront the past she’s running from, come to terms with the grief of losing a parent, and learn how to open her heart in order to find herself again.
|Product dimensions:||6.50(w) x 5.40(h) x 1.10(d)|
|Age Range:||12 - 17 Years|
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Amy & Roger’s Epic Detour
Eureka [I have found it]
—California state motto
I sat on the front steps of my house and watched the beige Subaru station wagon swing too quickly around the cul-de-sac. This was a rookie mistake, one made by countless FedEx guys. There were only three houses on Raven Crescent, and most people had reached the end before they’d realized it. Charlie’s stoner friends had never remembered and would always just swing around the circle again before pulling into our driveway. Rather than using this technique, the Subaru stopped, brake lights flashing red, then white as it backed around the circle and stopped in front of the house. Our driveway was short enough that I could read the car’s bumper stickers: MY SON WAS RANDOLPH HALL’S STUDENT OF THE MONTH and MY KID AND MY $$$ GO TO COLORADO COLLEGE. There were two people in the car talking, doing the awkward car-conversation thing where you still have seat belts on, so you can’t fully turn and face the other person.
Halfway up the now overgrown lawn was the sign that had been there for the last three months, the inanimate object I’d grown to hate with a depth of feeling that worried me sometimes. It was a Realtor’s sign, featuring a picture of a smiling, overly hairsprayed blond woman. FOR SALE, the sign read, and then in bigger letters underneath that, WELCOME HOME.
I had puzzled over the capitalization ever since the sign went up and still hadn’t come up with an explanation. All I could determine was that it must have been a nice thing to see if it was a house you were thinking about moving into. But not so nice if it was the house you were moving out from. I could practically hear Mr. Collins, who had taught my fifth-grade English class and was still the most intimidating teacher I’d ever had, yelling at me. “Amy Curry,” I could still hear him intoning, “never end a sentence with a preposition!” Irked that after six years he was still mentally correcting me, I told the Mr. Collins in my head to off fuck.
I had never thought I’d see a Realtor’s sign on our lawn. Until three months ago, my life had seemed boringly settled. We lived in Raven Rock, a suburb of Los Angeles, where my parents were both professors at College of the West, a small school that was a ten-minute drive from our house. It was close enough for an easy commute, but far enough away that you couldn’t hear the frat party noise on Saturday nights. My father taught history (The Civil War and Reconstruction), my mother English literature (Modernism).
My twin brother, Charlie—three minutes younger—had gotten a perfect verbal score on his PSAT and had just barely escaped a possession charge when he’d managed to convince the cop who’d busted him that the ounce of pot in his backpack was, in fact, a rare California herb blend known as Humboldt, and that he was actually an apprentice at the Pasadena Culinary Institute.
I had just started to get leads in the plays at our high school and had made out three times with Michael Young, college freshman, major undecided. Things weren’t perfect—my BFF, Julia Andersen, had moved to Florida in January—but in retrospect, I could see that they had actually been pretty wonderful. I just hadn’t realized it at the time. I’d always assumed things would stay pretty much the same.
I looked out at the strange Subaru and the strangers inside still talking and thought, not for the first time, what an idiot I’d been. And there was a piece of me—one that never seemed to appear until it was late and I was maybe finally about to get some sleep—that wondered if I’d somehow caused it all, by simply counting on the fact that things wouldn’t change. In addition, of course, to all the other ways I’d caused it.
My mother decided to put the house on the market almost immediately after the accident. Charlie and I hadn’t been consulted, just informed. Not that it would have done any good at that point to ask Charlie anyway. Since it happened, he had been almost constantly high. People at the funeral had murmured sympathetic things when they’d seen him, assuming that his bloodshot eyes were a result of crying. But apparently, these people had no olfactory senses, as anyone downwind of Charlie could smell the real reason. He’d had been partying on a semiregular basis since seventh grade, but had gotten more into it this past year. And after the accident happened, it got much, much worse, to the point where not-high Charlie became something of a mythic figure, dimly remembered, like the yeti.
The solution to our problems, my mother had decided, was to move. “A fresh start,” she’d told us one night at dinner. “A place without so many memories.” The Realtor’s sign had gone up the next day.
We were moving to Connecticut, a state I’d never been to and harbored no real desire to move to. Or, as Mr. Collins would no doubt prefer, a state to which I harbored no real desire to move. My grandmother lived there, but she had always come to visit us, since, well, we lived in Southern California and she lived in Connecticut. But my mother had been offered a position with Stanwich College’s English department. And nearby there was, apparently, a great local high school that she was sure we’d just love. The college had helped her find an available house for rent, and as soon as Charlie and I finished up our junior year, we would all move out there, while the WELCOME HOME Realtor sold our house here.
At least, that had been the plan. But a month after the sign had appeared on the lawn, even my mother hadn’t been able to keep pretending she didn’t see what was going on with Charlie. The next thing I knew, she’d pulled him out of school and installed him in a teen rehab facility in North Carolina. And then she’d gone straight on to Connecticut to teach some summer courses at the college and to “get things settled.” At least, that’s why she said she had to leave. But I had a pretty strong suspicion that she wanted to get away from me. After all, it seemed like she could barely stand to look at me. Not that I blamed her. I could barely stand to look at myself most days.
So I’d spent the last month alone in our house, except for Hildy the Realtor popping in with prospective house buyers, almost always when I was just out of the shower, and my aunt, who came down occasionally from Santa Barbara to make sure I was managing to feed myself and hadn’t started making meth in the backyard. The plan was simple: I’d finish up the school year, then head to Connecticut. It was just the car that caused the problem.
The people in the Subaru were still talking, but it looked like they’d taken off their seat belts and were facing each other. I looked at our two-car garage that now had only one car parked in it, the only one we still had. It was my mother’s car, a red Jeep Liberty. She needed the car in Connecticut, since it was getting complicated to keep borrowing my grandmother’s ancient Coupe deVille. Apparently, my grandmother was missing a lot of bridge games and didn’t care that my mother kept needing to go to Bed Bath & Beyond. My mother had told me her solution to the car problem a week ago, last Thursday night.
It had been the opening night of the spring musical, Candide, and for the first time after a show, there hadn’t been anyone waiting for me in the lobby. In the past, I’d always shrugged my parents and Charlie off quickly, accepting their bouquets of flowers and compliments, but already thinking about the cast party. I hadn’t realized, until I walked into the lobby with the rest of the cast, what it would be like not to have anyone there waiting for me, to tell me “Good show.” I’d taken a cab home almost immediately, not even sure where the cast party was going to be held. The rest of the cast—the people who’d been my closest friends only three months ago—were laughing and talking together as I packed up my show bag and waited outside the school for my cab. I’d told them repeatedly I wanted to be left alone, and clearly they had listened. It shouldn’t have come as a surprise. I’d found out that if you pushed people away hard enough, they tended to go.
I’d been standing in the kitchen, my Cunégonde makeup heavy on my skin, my false eyelashes beginning to irritate my eyes, and the “Best of All Possible Worlds” song running through my head, when the phone rang.
“Hi, hon,” my mother said with a yawn when I answered the phone. I looked at the clock and realized it was nearing one a.m. in Connecticut. “How are you?”
I thought about telling her the truth. But since I hadn’t done that in almost three months, and she hadn’t seemed to notice, there didn’t seem to be any point in starting now. “Fine,” I said, which was my go-to answer. I put some of last night’s dinner—Casa Bianca pizza—in the microwave and set it to reheat.
“So listen,” my mother said, causing my guard to go up. That was how she usually prefaced any information she was about to give me that I wasn’t going to like. And she was speaking too quickly, another giveaway. “It’s about the car.”
“The car?” I set the pizza on the plate to cool. Without my noticing, it had stopped being a plate and had become the plate. I was pretty much just using, then washing, the one plate. It was as though all the rest of the dishes had become superfluous.
“Yes,” she said, stifling another yawn. “I’ve been looking at the cost to have it shipped on a car carrier, along with the cost of your plane fare, and well …” She paused. “I’m afraid it’s just not possible right now. With the house still not sold, and the cost of your brother’s facility …”
“What do you mean?” I asked, not following. I took a tentative bite of pizza.
“We can’t afford both,” she said. “And I need the car. So I’m going to need it driven out here.”
The pizza was still too hot, but I swallowed it anyway, and felt my throat burn and my eyes water. “I can’t drive,” I said, when I felt I could speak again. I hadn’t driven since the accident, and had no plans to start again any time soon. Or ever. I could feel my throat constrict at the thought, but I forced the words out. “You know that. I won’t.”
“Oh, you won’t have to drive!” She was speaking too brightly for someone who’d been yawning a moment before. “Marilyn’s son is going to drive. He needs to come East anyway, to spend the summer with his father in Philadelphia, so it all works out.”
There were so many things wrong with that sentence I wasn’t sure where to begin. “Marilyn?” I asked, starting at the beginning.
“Marilyn Sullivan,” she said. “Or I suppose it’s Marilyn Harper now. I keep forgetting she changed it back after the divorce. Anyway, you know my friend Marilyn. The Sullivans used to live over on Holloway, until the divorce, then she moved to Pasadena. But you and Roger were always playing that game. What’s it called? Potato? Yam?”
“Spud,” I said automatically. “Who’s Roger?”
She let out one of her long sighs, the kind designed to let me know that I was trying her patience. “Marilyn’s son,” she said. “Roger Sullivan. You remember him.”
My mother was always telling me what I remembered, as if that would make it true. “No, I don’t.”
“Of course you do. You just said you used to play that game.”
“I remember Spud,” I said. I wondered, not for the first time, why every conversation I had with my mother had to be so difficult. “I don’t remember anyone named Roger. Or Marilyn, for that matter.”
“Well,” she said, and I could hear her voice straining to stay upbeat, “you’ll have a chance to get to know him now. I’ve mapped out an itinerary for you two. It should take you four days.”
Questions about who remembered what now seemed unimportant. “Wait a second,” I said, holding on to the kitchen counter for support. “You want me to spend four days in a car with someone I’ve never met?”
“I told you, you’ve met,” my mother said, clearly ready to be finished with this conversation. “And Marilyn says he’s a lovely boy. He’s doing us a big favor, so please be appreciative.”
“But Mom,” I started, “I …” I didn’t know what was going to follow. Maybe something about how I hated being in cars now. I’d been okay taking the bus to and from school, but my cab ride home that night had made my pulse pound hard enough that I could feel it in my throat. Also, I’d gotten used to being by myself and I liked it that way. The thought of spending that much time in a car, with a stranger, lovely or not, was making me feel like I might hyperventilate.
“Amy,” my mother said with a deep sigh. “Please don’t be difficult.”
Of course I wasn’t going to be difficult. That was Charlie’s job. I was never difficult, and clearly my mother was counting on that. “Okay,” I said in a small voice. I was hoping that she’d pick up on how much I didn’t want to do this. But if she did, she ignored it.
“Good,” she said, briskness coming back into her voice. “Once I make your hotel reservations, I’ll e-mail you the itinerary. And I ordered you a gift for the trip. It should be there before you leave.”
I realized my mother hadn’t actually been asking. I looked down at the pizza on the counter, but I had lost my appetite.
“Oh, by the way,” she added, remembering. “How was the show?”
And now the show had closed, finals were over, and at the end of the driveway was a Subaru with Roger the Spud Player inside. Over the past week, I’d tried to think back to see if I could recall a Roger. And I had remembered one of the neighborhood kids, one with blond hair and ears that stuck out too far, clutching a maroon superball and calling for me and Charlie, trying to get a game together. Charlie would have remembered more details—despite his extracurriculars, he had a memory like an elephant—but Charlie wasn’t exactly around to ask.
Both doors of the Subaru opened, and a woman who looked around my mother’s age—presumably Marilyn—got out, followed by a tall, lanky guy. His back was to me as Marilyn opened the hatchback and took out a stuffed army-style duffel and a backpack. She set them on the ground, and the two of them hugged. The guy—presumably Roger—was at least a head taller than she was, and ducked a little bit to hug her back. I expected to hear good-byes, but all I heard him say was “Don’t be a stranger.” Marilyn laughed, as though she’d been expecting this. As they stepped apart, she met my gaze and smiled at me. I nodded back, and she got into the car. It pulled around the cul-de-sac, and Roger stood staring after it, raising one hand in a wave.
When the car had vanished from sight, he shouldered his bags and began walking toward the house. As soon as he turned toward me, I blinked in surprise. The sticking-out ears were gone. The guy coming toward me was shockingly good-looking. He had broad shoulders, light brown hair, dark eyes, and he was already smiling at me.
I knew in that instant the trip had suddenly gotten a lot more complicated.
Reading Group Guide
Discussion Questions for Amy & Roger’s Epic Detour by Morgan Matson
1) Define “epic.” What made Amy & Roger’s road trip epic? In what ways was it epic for Amy, and in what ways was it epic for Roger?
2) Morgan Matson incorporates receipts, playlists, emails, notes, etc. throughout the novel. How did this influence how you read the story? Did you like this technique? Discuss other ways Morgan Matson made the book especially appealing and engaging to the reader.
3) Each chapter begins with a quote. To what extent did you keep these in mind as you read the pages that followed? How did the quotes serve to propel the story? Share some of your personal favorite quotes, and what they mean to you.
4) Compare and contrast “regular Amy” to “Amy!” What does the exclamation point in the latter connote? Do you think “Amy!” could ever really exist? Do you ever feel like you could have another side to you, too?
5) How did the flashback scenes in Amy & Roger’s Epic Detour help you better understand Amy and her family? What did you learn about her relationships with her mother, brother, and father? How did these flashbacks make you feel, as a reader?
6) We don’t hear the details of Amy’s father’s death until the very end of the book. Why did Morgan Matson keep these details from us for so long? What effect did this have on how you interpreted Amy’s situation?
7) Throughout Amy & Roger’s Epic Detour, Roger is trying to convince Amy to buy a new pair of sunglasses. She finally buys a pair when she and Roger are visiting Graceland. What do the sunglasses symbolize over the course of the novel?
8) The first time Amy said, “my father died” was to Walcott, a guy she’d just met, whom she probably wouldn’t see again. Why did she choose to open up to Walcott? Conversely, why was Amy avoiding Julia, her best friend?
9) Amy and Roger experienced a journey together, literally and metaphorically. Describe their respective journeys, and how you think (or don’t think) each completed his/her journey. When was a time that you have embarked on a journey? How did you measure whether or not your journey had been competed?
10) What was Bronwyn’s role in Amy’s “journey?” Do you agree with what she did with Amy’s clothes? How would you have reacted, if you were Amy?
11) Roger is fascinated with world explorers. In what ways is he an explorer, himself? What do you think this character trait suggests about Roger?
12) What qualifies as home? Consider Walcott’s explanation: “You don’t have to go away to know where your home is . . . Everyone knows where their home is. And if you don’t, you’ve got problems.” Now think about Drew’s theory: “I guess then your home is the people in it . . . Your family.” What does home mean to Amy? Why does the realtor’s sign, “Welcome HOME” bother her so much? What does home mean to you?
13) Amy and Lucien share an important scene together while in Kentucky. In what ways did Lucien invoke a turning point in Amy’s journey?
14) At what point do you think Amy and Roger’s relationship changed? Were you surprised?
15) Discuss the ending of Amy & Roger’s Epic Detour. Do you think Morgan Matson leaves us hanging, or do you consider the story to have been “wrapped up” sufficiently? What do you think happens with Amy and Roger, down the line?
This reading group guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes.