Follow Alice down the rabbit hole to Wonderland and enjoy tea with the Mad Hatter, find your way with the Cheshire Cat, and play croquet with the Queen of Hearts. On the other side of the looking-glass, meet Tweedledee and Tweedledum, the White Queen, and a host of other characters that share a different reality.
About the Author
Date of Birth:January 27, 1832
Date of Death:January 14, 1898
Place of Birth:Daresbury, Cheshire, England
Place of Death:Guildford, Surrey, England
Education:Richmond School, Christ Church College, Oxford University, B.A., 1854; M.A., 1857
Read an Excerpt
From Chapter IV: The Rabbit Sends in a Little Bill
It was the White Rabbit, trotting slowly back again, and looking anxiously about as it went, as if it had lost something; and she heard it muttering to itself, “The Duchess! The Duchess! Oh my dear paws! Oh my fur and whiskers! She’ll get me executed, as sure as ferrets are ferrets! Where can I have dropped them, I wonder?” Alice guessed in a
moment that it was looking for the fan and the pair of white kidgloves, and she very good-naturedly began hunting about for them, but they were nowhere to be seen—everything seemed to have changed since her swim in the pool; and the great hall, with the glass table and the little door, had vanished completely.
Very soon the Rabbit noticed Alice, as she went hunting about, and called out to her, in an angry tone, “Why, Mary Ann, what are you doing out here? Run home this moment, and fetch me a pair of gloves and a fan! Quick, now!” And Alice was so much frightened that she ran o at once in the direction it pointed to, without trying to explain the mistake that it had made.
“He took me for his housemaid,” she said to herself as she ran. “How surprised he’ll be when he finds out who I am! But I’d better take him his fan and gloves—that is, if I can find them.” As she said this, she came upon a neat little house, on the door of which was a bright brass plate with the name “W. RABBIT ” engraved upon it. She went in without knocking, and hurried upstairs, in great fear lest she should meet the real Mary Ann, and be turned out of the house before she had found the fan and gloves.
“How queer it seems,” Alice said to herself, “to be going messages for a rabbit! I suppose Dinah’ll be sending me on messages next!” And she began fancying the sort of thing that would happen: “‘Miss Alice! Come here directly, and get ready for your walk!’ ‘Coming in a minute,’ nurse! But I’ve got to watch this mouse-hole till Dinah comes back, and see that the mouse doesn’t get out.’ Only I don’t think,” Alice went on, “that they’d let Dinah stop in the house if it began ordering people about like that!”
By this time she had found her way into a tidy little room with a table in the window, and on it (as she had hoped) a fan and two or three pairs of tiny white kid-gloves: she took up the fan and a pair of the gloves, and was just going to leave the room, when her eye fell upon a little bottle that stood near the looking-glass. There was no label this time with the words “DRINK ME,” but nevertheless she uncorked it and put it to her lips. “I know something interesting is sure to happen,” she said to herself, “whenever I eat or drink anything: so I’ll just see what this bottle does. I do hope it’ll make me grow large again, for really I’m quite tired of being such a tiny little thing!”
It did so indeed, and much sooner than she had expected: before she had drunk half the bottle, she found her head pressing against the ceiling, and had to stoop to save her neck from being broken. She hastily put down the bottle, saying to herself “That’s quite enough—I hope I sha’n’t grow any more—As it is, I ca’n’t get out at the door—I do wish I hadn’t drunk quite so much!”
Alas! It was too late to wish that! She went on growing, and growing, and very soon had to kneel down on the floor: in another minute there was not even room for this, and she tried the effect of lying down with one elbow against the door, and the other arm curled round her head. Still she went on growing, and, as a last resource, she put one arm out of the window, and one foot up the chimney, and said to herself “Now I can do no more, whatever happens. What will become of me?”
Excerpted from "Alice's Adventures in Wonderland and Through the Looking-Glass"
Copyright © 2003 Lewis Carroll.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
Acknowledgements Introduction Lewis Carroll: A Brief Chronology A Note on the Texts
Alice’s Adventures in Wonderland
Through the Looking-Glass and What Alice Found There
Appendix A: Lewis Carroll, Alice’s Adventures Under Ground (1864)
Appendix B: Lewis Carroll, “Alice on the Stage” (1886)
Appendix C: From Lewis Carroll’s Diaries and Letters (1862-90)
Appendix D: Remembering Lewis Carroll
- From Alice Hargreaves, “Alice’s Recollections of Carrollian Days as Told to Her Son, Caryl Hargreaves” (1932)
- From Isa Bowman, The Story of Lewis Carroll (1899)
Appendix E: George MacDonald, “The Fantastic Imagination” (1893)
Appendix F: Contemporary Reviews of Alice’s Adventures in Wonderland
- The Press (25 November 1865)
- The Publishers’ Circular (8 December 1865)
- The Bookseller (12 December 1865)
- The Guardian (15 December 1865)
- Illustrated Times (16 December 1865)
- Athenaeum (16 December 1865)
- The Spectator (22 December 1865)
- From The Spectator (22 December 1866)
- London Review (23 December 1865)
- From The Times (13 August 1868)
- John Bull (20 January 1866)
- The Literary Churchman (5 May 1866)
- The Sunderland Herald (25 May 1866)
- Aunt Judy’s Magazine (1 June 1866)
- The Examiner (15 December 1866)
- From The Daily News (19 December 1866)
- The Scotsman (22 December 1866)
- Contemporary Review (May 1869)
- “Alice Translated,” The Spectator (7 August 1869)
Appendix G: Poems Parodied in Alice’s Adventures in Wonderland
- Isaac Watts, “Against Idleness and Mischief” (1720)
- Robert Southey, “The Old Man’s Comforts and How He Gained Them” (1799)
- David Bates, “Speak Gently” (1848)
- Jane Taylor, “The Star” (1806)
- Mary Howitt, “The Spider and the Fly” (1834)
- Isaac Watts, “The Sluggard” (1715)
- James M. Sayles, “Star of the Evening” (date unknown)
- William Mee, “Alice Gray” (c. 1815)
- Lewis Carroll, “She’s All My Fancy Painted Him” (1855)
Appendix H: Contemporary Children’s Literature
- From Anonymous, The History of Little Goody Two-Shoes (1765)
- From Charles Kingsley, The Water-Babies (1862-63)
- From Julia Horatia Ewing, “Amelia and the Dwarfs” (1870)
Appendix I: Notable Film and Television Productions
Appendix J: Lewis Carroll’s Photographs of Alice, Lorina, and Edith Liddell
Appendix K: Quentin Massys’s An Old Woman [The Ugly Duchess] (1513)
Appendix L: The Wasp in a Wig
Appendix M: Lewis Carroll’s Comments on “Jabberwocky”
- From Mischmash (1855)
- From Letters of Lewis Carroll (15 February 1871)
- From Preface to The Hunting of the Snark (1876)
Appendix N: William Wordsworth’s “Resolution and Independence” (1807)
Appendix O: Looking-Glass Books
- From The Laughable Looking-Glass for Little Folks (1857–59)
- From Maria Louisa Charlesworth, The Old Looking-Glass; or, Mrs. Dorothy Cope’s Recollections of Service (1878)
Appendix P: Contemporary Reviews of Through the Looking-Glass
- From Pall Mall Gazette (14 December 1871)
- The Standard (21 December 1871)
- The Times (25 December 1871)
- From The Spectator (30 December 1871)
Appendix Q: The Chess Motif in Literature
- From Thomas Middleton, A Game at Chess (1625)
- From George Eliot, Felix Holt: The Radical (1866)
Reading Group Guide
In his diary on July 4, 1862, Lewis Carroll wrote, "Duckworth and I made an expedition up the river to Godstow with the three Liddells: we had tea on the bank there, and did not reach Christ Church again till quarter past eight, when we took them to my rooms to see my collection of micro photographs, and restored them to the Deanery just before nine." Although Carroll did not know at the time, this excursion proved to be the catalyst for the fairy tale which he initially called Alice's Adventures Underground.
In later years, Carroll, his friend Robinson Duckworth, and Alice Liddell all alluded to this day as the origin of Alice's Adventures in Wonderland. In the opening poem to the story, Carroll wrote:Thus grew the tale of Wonderland:
Thus slowly, one by one,
Its quaint events were hammered out —
And now the tale is done,
And home we steer, a merry crew,
Beneath the setting sun.
In its initial form, this tale told on July 4, 1862, was simply another entry in the oral story tradition that Carroll forged on the numerous expeditions on the "quiet stream." Years later, Carroll wrote, "many a day we had rowed together on that quiet stream—the three little maidens and I—and many a fairy tale had been extemporised for their benefit." He indicates there were numerous other tales that "lived and died like summer midges," but in this single instance "one of my little listeners petitioned that the tale might be written out for her," and thus began Alice's adventures.
Alice's adventures begin on a lazy summer day when a "White Rabbit with pink eyes" races by her. While it was unremarkable for a rabbit to run by her and it was not "very much out of the way" to hear the Rabbit talk, she hurried after the White Rabbit when it "actually took a watch out of its waistcoat pocket." Alice scrambled to her feet and followed it, without a thought, down a large rabbit-hole. Similarly, in Through the Looking-Glass, Alice impulsively goes through the glass over the mantel and into the Looking-Glass room. Later, in both stories, this initial impulsiveness becomes tempered through experience. Although Alice learns from her experiences, the stories were neither moralistic nor written for the purpose of teaching lessons. Instead, they were, and still are, two of the most highly imaginative fairy tales ever conceived.
Both Alice and Looking-Glass, while drawn from Carroll's extemporaneous stories, were later refined and infused with a wealth of allusions to both his own experiences and Alice's. In her travels through Wonderland and the chess-board world behind the Looking-Glass, Alice encounters a multitude of curiosities, many traceable to experiences in her own life. In chapter II of Alice, "The Pool of Tears," she encounters a Duck, a Dodo, a Lory, and an Eaglet. This entire episode in the pool alludes to a trip that Carroll referred to in his diary for June 17, 1862. On this day, during a trip, the traveling party was drenched in a downpour. The animals who appear in the "Pool" chapter represent the trip's participants: the Duck is Carroll's friend Robinson Duckworth, the Dodo is Carroll (a stutterer all his life, Carroll would often pronounce his real name Dodgson as "Do-Do-Dodgson"), and the Lory and the Eaglet are Alice's sisters, Lorina and Edith.
When it was published in 1865, Alice's Adventures in Wonderland was reviewed widely in newspapers and journals drawing near universal praise. Among the reviewing publications were The Times, the Spectator, and the Publisher's Circular. The Circular selected the story as "the most original and most charming" of the 200 books for children they were sent that year. When it was published in late 1871, Through the Looking-Glass reaped similar praise.
While Carroll continued to write children's stories, his distinguished place in literary history was firmly established with the publication of Alice's Adventures in Wonderland and Through the Looking-Glass. By the time Carroll died in 1898, there were about 250,000 copies of these stories in print.
While the Alice books have charmed and excited children ever since their first publication, they have also stimulated a wide array of literary, philosophical, and psychological discussion from twentieth-century writers. As the editor of the Penguin Classics edition, Hugh Haughton, makes clear, at the heart of these children's books lie fascinating questions about meaning. Maneuvering throughout Carroll's puns, word plays, and unconventional prose, the adult reader of these books, often finds him or herself feeling two responses at once: a submission to the spontaneous play of nonsense, to utter meaninglessness—as the Lobster-Quadrille would urge—and a compulsion to interpret, or decode meaning in even the most trivial incident—as Queen Alice might do. For twentieth-century writers like James Joyce, Virginia Woolf, and W. H. Auden who borrowed freely from Carroll, the Alice books have become models of experimental writing. For other intellectuals, reading Alice's Adventures and Through the Looking-Glass as Surrealist dream books, Freudian case studies, or political allegories, they have become texts brimming with profound insights.
ABOUT LEWIS CARROLL
Of Lewis Carroll, Virginia Woolf said, "since childhood remained in him entire, he could do what no one else has ever been able to do—he could return to that world; he could re-create it, so that we too become children again." Edmund Wilson also recognized Carroll's ability to see from a child's perspective when he noted, "Lewis Carroll is in touch with the real mind of childhood." Wilson linked this understanding to a flair for drawing on "the more primitive elements of the mind of maturity." These characterizations describing the creator of Alice's Adventures in Wonderland and Through the Looking-Glass exemplify the enigmatic Carroll. However, most casual readers may be unaware that Carroll was also a don at Christ Church, Oxford University where he spent most of his adult life as a Mathematics lecturer. In addition, Carroll was a logician, a renowned photographer, and a prolific letter writer and diarist.
Lewis Carroll was born Charles Lutwidge Dodgson in 1832 in the parsonage of Daresbury in Cheshire, England, a small village about twenty miles from Liverpool. The third child and eldest son in a household of seven girls and four boys, Charles spent the first eleven years of his life on this secluded farm. The surroundings of the parsonage were reflected in the characters and images that grace both Alice's Adventures in Wonderland and Through the Looking-Glass. One can imagine a young Charles seeing the White Rabbit, the animals in the Caucus-Race, the Caterpillar and the mushroom, the Mouse, the garden of flowers and much more as he grew up amidst the barnyard and fields of the parsonage.
In 1850, Charles entered Christ Church, Oxford where he would spend the rest of his life as a student, fellow, and lecturer; and where he developed into an accomplished photographer, and met Alice Liddell, the heroine of his great stories. During his lifetime, Charles Dodgson published nearly 300 works on an array of topics. These works included not only children's stories but also books and pamphlets on mathematics, logic, and philosophical debates at Oxford. In addition, he wrote parodies such as "Hints for Etiquette, or Dining Out Made Easy" and constructed games, puzzles, riddles, and acrostics. Among his works are: Euclid and His Modern Rivals, Formulae of Plane Trigonometry, Guide to the Mathematical Student in Reading, and Game of Logic (a method of teaching the principles of logic to children). Allusions to these writings and interests were scattered throughout the Alice books. Both stories, though clearly written to amuse young children, were also replete with puns and allusions to Victorian society, making them 'mature' enough to pique the interest of adults. Interestingly, Dodgson contrived his pen name as a slight puzzle in itself. The pseudonym Lewis Carroll, was created by Latinizing his two given names, Charles Lutwidge, to Carolus Ludovicus, reversing them and translating them back into English.
Besides the array of intellectual pursuits, Charles Dodgson's interests also extended to gadgets, most importantly the photographic camera. Dodgson was introduced to photography by his Uncle Skeffington Lutwidge. In the 1850s and 1860s, prior to the actual development of film, this art form required patience and devotion. Among the persons of his era whom Dodgson persuaded to sit for portraits were the poet Alfred Tennyson, Sir John Millais, Prince Leopold (the youngest son of Queen Victoria), Lord Salisbury (who became Oxford Chancellor in 1870), the Crown Prince of Denmark, John Ruskin, and the actress Ellen Terry. Besides such luminaries, Dodgson also photographed young children he met during his years at Oxford, including Alice Liddell.
However, it is through Charles Dodgson's extensive letters and diaries that a great deal of his life, motivations, and inspiration are revealed. Starting on January 1, 1861, Dodgson began maintaining a register of all the letters he sent and received. Although the register has never been found, the final number that he recorded was 98,721. In a letter to a friend of his, Mary Brown, he estimated he wrote 2,000 letters each year. There are letters to friends, family, his publisher and illustrator, and to endearing young fans. The minutiae of daily life also crept into his correspondence. After the death of his brother-in-law, just days prior to his own, he wrote his nephew, Stuart Collingwood requesting a simple funeral and burial upon his own death. Charles Lutwidge Dodgson died at age 66 on January 14, 1898.
- Traditionally, Alice's Adventures in Wonderland and Through the Looking-Glass are both considered stories intended for children. If you were asked to support the contention that these are actually stories for adults, how would you defend this?
- Alice Liddell, the model for Carroll's fairy tale heroine, was a young child when these stories were first told. Although a child in the story, Alice often exhibits mature characteristics; and the adult characters often exhibit childish behavior. Do you consider these books to be an adult's view of childhood, or a child's view of adulthood?
- Alice rarely speaks nonsense and rarely enjoys it when it is spoken to her. In fact, her speech and manners are as proper as those of any Jane Austen heroine. How is Alice's perception of the world changed when confronted with the world and characters of nonsense?
- The Cheshire Cat suggests that everything Alice experiences in Wonderland is a dream or the result of madness. Prefiguring Freud's theories, Carroll, in a diary entry, defined "insanity as an inability to distinguish which is the waking and which the sleeping life." Besides the obvious absurdities in imagery what other aspects of these books mimic a dream state?
- "Take care of the sense, and the sounds will take care of themselves." This play on the proverb, "Take care of the pence and the pounds will take care of themselves," is a good example of Carroll's word play. Often these word plays end up with a nonsensical locution; but at other times, as is the case here, they create a completely different, often subversive, meaning. Discuss other examples of Carroll's word play.
- Throughout her adventures, Alice grapples with her identity. While this is a common feature of most children's books, Alice's questioning often inadvertently invokes the ideas of western philosophers from Plato to Bishop Berkeley. What philosophical issues about identity does Alice raise?
- Throughout both Alice and Looking-Glass, Alice usually exhibits a passivity to the incomprehensible events around her. However, at critical times, she learns to assume control of her circumstances. When does this occur and what actions does she take?
- What is the significance of the mushroom that Alice eats during her adventures?
- Let's assume that in Lewis Carroll's original telling of these stories, he viewed himself as a teacher/mentor to Alice Liddell. How do the ways in which the fictional Alice adapts to her shifting and unusual circumstances translate into meaningful lessons for a child of Alice Liddell's age?
- If the Caterpillar from Alice's Adventures in Wonderland were to give advice to Tweedledee and Tweedledum from Through the Looking-Glass on how to solve their differences without having "a bit of a fight," what might the Caterpillar advise?
- Since their publication, many readers have found material in Carroll's book unsuitable for children. Which parts of the Alice books, if any, do you think are unfit, or even harmful, to children today
Most Helpful Customer Reviews
I've never read the book before last week and must say that disney must have had something against Lewis Carroll because they butchered this amazing book by making that cartoon. This book has an amazing amount of detail that will keep you imagining about each chapter for hours. I would recommend this book to anyone with an open mind and a wild imagination. Instant Classic on my shelf
I really enjoyed this book. It was very strange, but it kept me interested. My favorite character throughout this whole book was the Caterpillar. I liked how even after changing into a beautiful butterfly, he still remains the same snarky personality. I also enjoyed the descriptive language, and the real-ness that the author brought to Alice.
This is a book I can see reading to my children someday (that is, if I ever have any). I'm 19 and I never knew that "Alice in Wonderland" was a book before it was a Disney "Classic". My sister and I were wondering around Barnes and Noble and she stumbled onto this book. She purchased it and attempted to read it but she's only 12 and therefor couldn't really understand some of the wordings (It's written in an old style). I was bored one rainy day and picked it up. I couldn't put it down until I'd finished the whole thing. It's a lovely book and it really does remind me of being a child. I giggled a lot throughout. Overall, good read.
I decided to read this book after seeing the Tim Burton movie. It had been years since I had seen the Disney cartoon Alice and Wonderland and I remember seeing a Disney version of Alice Through the Looking Glass. In order to remind myself of what I hd seen I decided to read the book and get the original story since I never read it before. I was not overly impressed by the story but enthralled with the imagination and creativity of the world that Alice "falls" into. However I now have more respect for the classic and I definitely think it is something everyone should have in their library as a reminder of what real creativity and imagination was like without being gruesome and gory.
So many times during my day to day life, I find occasions to quote this fabulous book. It's philosophical nonsense seems to make very much sense in my life. Many times I find myself thinking like Alice and giving myself very good advice, such as, "if you drink much from a bottle marked 'poison,' it is almost certain to disagree with you, sooner or later."
I own the physical copy of this book and I have to say it was wonderful. The book was a little fast for me; I found it hard to follow at some points. One second Alice was talking to the hookah-smoking caterpillar, the next she's God only knows where. At times, I found myself hating Alice for her foolishness. I mean, seriously, who follows a rabbit down a rabbit hole? The plot over all was all right, it's the significant detailc the story's told in that makes this story a literary classic.
I loved the cover of this book, the old fashioned style. It stood out over all the other copies of Alice in Wonderland. And of course it is a great classic story. I am very happy with my purchase. This book is a keeper.
This is one of the deepest works of literature I have ever perused. Deep, taking the meaning here of perplexing and complicated, yet thoroughly enthralling. Both works take on the same general shape (fantastical worlds of surrealism) but with completely unconnected plots. However, this point lacks relevance--as does most of the plot line (if one can find it.) What relevance and meaning there is to be found comes from what one decides to glean from it. The conclusion I arrived at was this enigma of a tale is worth a read, if for no other reason than to challenge one's own thought processes and interpretative capacities. Put simply, Alice/Looking Glass is an infinite enigma of pure imagination.
I was very happy with this book. As a child through adulthood, I had heard and seen the "Alice in Wonderland" story numerous times. However, reading this book gave me a different perspective on Alice's story. I had always thought Alice in Wonderland was one story that told of Alice's adventures in Wonderland. After reading this book, I learned that wasn't true. Alice's Adventures in Wonderland was written years before Through the Looking-Glass and they are actually 2 separate stories. I thoroughly enjoyed traveling with Alice through her Adventures and I also learned quite about a Lewis Carroll in the introduction of this book. Alice's Adventures in Wonderland and Through the Looking-Glass is a must-have for a classic readers library.
I just startd to read it and saw they called chapter 1 chaptee 1!!!!!! i thought it was so cute i still think it a great book though. From, A book worm (again)
Plenty of scanning errors, but they're mostly minor. Most 's have been turned into ^s for some inexplicable reason. Still, sadly, a better scan than most, and has both Alice books.
After seeing the images in the recent 3D movie, I wanted to read this book, again. The forward and appendix provided explanation of Lewis Carroll's life which helped me understand the context of the book better and clarified some of the recent controversy about his relationships with children. Additionally, there was a translation of Jabborwocky which was great.
Don't get me wrong, this is actually one of my favorite stories. Thing is, there isn't much of an actual story, is there. It's a book about a girl who falls asleep and dreams she's fallen down a rabbit hole and into a strange world where she meets a bunch and AMAZINGLY created characters and gets into a couple sticky situations. That's all really, it's a fun, colorful story without a point. Because of the lack of plot, it's a very difficult story to form any emotional connection to. Lewis Carroll had an amazing mind, and Wonderland is a beautiful adventure through his world, but making Alice have next to no character growth forces us to remain at arms length from the magical world he created, almost denying us passage in. Alice hardly changes from when she falls asleep to when she wakes up. There is not really a disernable climax, and while she does find herself in plenty of peril, there has to be an effort made in order to see any danger she is in. The reason I do love this story, and the main reason I think it's worth reading, is because of the incredible range of characters. They're all so well-known and interesting. I love to read all of my favorite characters, especially the Hatter and the Cheshire-Cat. They all have such insane personalities, a sense of glorious freedom and fun, but coated with an obvious danger, and that makes them all the more appealing. Quite honestly, I'd switch places with Alice, just to play croquet with the Queen or converse with the Caterpillar, or dance with the Mock Turtle and the Gryphon. I could easily spend years sitting with the Dormouse, the March Hare, and the Hatter, sipping tea and just giggling. Really, I think Wonderland is the place for me. Besides the fun characters and interesting situations, there isn't much to the story. It has a lack-luster plot and only the tiniest of messages that comes in near the end. It also teaches us quite an important lesson, but that one may be a little obvious. Deserving of the classic status, definitely, and one of my favorites, but not the best.
A little research told me that this story was made up during a 5 mile row boat trip, told to three girls, one of them named Alice. I thought this was pretty interesting. Alice in wonderland is great, very creative, and very imaginative. Alice falls into a world that is much like a dream, and it flows well from one incident to the next. Through the looking glass was harder to follow because it jumped into each event. Our dreams tend to put us from one place to the next with no journey. It is patterned like she's walking through a giant chess board. However, I do like that everything Alice does is backwards. Contrariwise to the mirror she walked through. Very creative. I would definitely share this book with a child. It may be confusing at times, but it is fun.
I am a 10 year old homeschooler and I absolutely loved this book!! I could not put it down!
This book is great; it is a great escape from life. I recommend it to anyone!!! :-)
"Alice in Wonderland," by Lewis Carrol is a truly amazing book, filled with imagination and creativity. While reading, the reader will find that the author truly has a wonderful gift of being able to transport anyone anywhere with his words. Alice's adventure in Wonderland is like no other, a tale which will surely capture the reader's heart!
These are the kinds of books that add to a child's already creative and imaginative nature. However, they are also for adults as well.
The wierdness and abstract perspective depicted in Lewis Carroll's engaging novel may seem like complete and utter insanity at first, but when you take the time to really read between the lines you find that...you were right!! Sometimes it's good for your mind and health to just stop worrying and enjoy a nice bout of good-humoured insanity once in a while. Even still, you may find some worthy life lessons to follow in this book of glorious nonsense, such as the symbolism of the dream rushes in Through the Looking Glass. All in all, an excellent read!
It is understanding how a much younger person would find this book boring without being able to relate to it at all. But I think that that is what makes this book golden, as it has been for years. Many people have seen the Disney version of 'Alice in Wonderland.' However I found it to be much more thrilling to read the original, therefore you should too.
Starting with Alice's Adventures in Wonderland, I thought it was a strange,but good book. The Mock Turtle, Queen of Hearts,The White Rabbit. They're all good characters! Through the looking Glass I liked better than the first. The idea of going through a mirror into another world I think is wonderful! The poems Jabberwocky,The Lion and the Unicorn and Tweedledee and Tweedledum were great! This book will expand a child's imagination.
Such begins the insane, beautiful poem 'Jabberwocky' in Through the Looking-Glass. Alice In Wonderland and Through the Looking Glass are both splendid. I will choose to focus on Through the Looking Glass, however, as it has remained my favourite for several years. I believe it is a tale for all ages. Every time I read it, I gain some new little bit of insight. The imagination poured into the story will amaze you, as you hop through a mirror and into a world of living chess pieces and epic poetry told by weird little dancing men. In the end, I realized that it is very much like a crazy dream that you wake up wishing you could remember more of. Its really marvelous, so you must read it.
This may be a favorite for many, but I dislike it intensely. Imaginative and superbly written; absolutely, but also sinister and weird and irritating! Not for me!
I just finished Alice's Adventures in Wonderland this morning while waiting for my son to get out of Kindergarten. It was the 9th book I've finished. I almost feel like I'm cheating because, like the last book I read, I am very familiar with the story (who isn't?). As I expected it was a fun read and I can't help but think that Lewis Carrol would have been a blast to hang out with. There is nothing much else to say. I knew I'd enjoy it and I did.
I enjoyed the book. I can't wait to read it to my nephew and hopefully own children. However, I like some children's books better like: Wind in the Willows and the Chronicles of Narnia but that maybe b/c I grew up with those books and for some odd reason I did not read the whole version of Alice as a child. I liked the word play in the book the best and I will reread it a few times and I am sure I will pick up things I missed. However, you can tell Carroll was on opium when he was writing the book. Overall great book not my favorite child's book but so much better then a lot of books out there!