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Adorno was forever returning to the philosophies of bourgeois interiority, seeking the paradoxical relation between their manifest failure and their hidden promise. As Peter E. Gordon shows, Adorno’s writings on Kierkegaard, Husserl, and Heidegger present us with a photographic negative—a philosophical portrait of the author himself.
|Publisher:||Harvard University Press|
|Sold by:||Barnes & Noble|
|File size:||556 KB|
About the Author
Peter E. Gordon is Amabel B. James Professor of History and Faculty Affiliate in the Department of Philosophy at Harvard University. He is also Faculty Affiliate in the Department of Germanic Languages and Literatures and Resident Faculty at the Minda de Gunzburg Center for European Studies.