Absolute Friends

Absolute Friends

by John le Carré

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An absolutely triumphant bestseller-everywhere hailed as the masterpiece toward which John le Carre has been building since the fall of communism. This thrilling tale of Joyaity, betrayal and international espionage spans the lives of two friends from the not-torn West Berlin of the 1960s to the grimy looking-glass of Cold War Europe to the present day of terrorism and uncertain new alliances-alliances that aren't always what they seem to be.

Product Details

ISBN-13: 9780316353588
Publisher: Little, Brown and Company
Publication date: 11/03/2015
Edition description: Special Edition
Pages: 464
Sales rank: 377,039
Product dimensions: 5.40(w) x 8.20(h) x 1.40(d)

About the Author

John le Carré, the pen name for David John Moore Cornwell, is a British author whose espionage novels set the standard for the genre. During the 1950s and '60s, he worked for the Security Service and the Secret Intelligence Service, and began writing novels under a pen name. His third book, The Spy Who Came in from the Cold (1963), became an international bestseller. Following the success of this novel, he left MI6 to become a full-time author. Many of his novels have been adapted for film.

Read an Excerpt

Absolute Friends

By John le Carre

Little, Brown

Copyright © 2004 David Cornwell
All right reserved.

ISBN: 0-316-00064-7

Chapter One

ON THE DAY his destiny returned to claim him, Ted Mundy was sporting a bowler hat and balancing on a soapbox in one of Mad King Ludwig's castles in Bavaria. It wasn't a classic bowler, more your Laurel and Hardy than Savile Row. It wasn't an English hat, despite the Union Jack blazoned in Oriental silk on the handkerchief pocket of his elderly tweed jacket. The maker's grease-stained label on the inside of the crown proclaimed it to be the work of Messrs. Steinmatzky & Sons, of Vienna.

And since it wasn't his own hat - as he hastened to explain to any luckless stranger, preferably female, who fell victim to his boundless accessibility - neither was it a piece of self-castigation. "It's a hat of office, madam," he would insist, garrulously begging her pardon in a set piece he had off perfectly. "A gem of history, briefly entrusted to me by generations of previous incumbents of my post - wandering scholars, poets, dreamers, men of the cloth - and every man jack of us a loyal servant of the late King Ludwig - hah!" The hah! perhaps being some kind of involuntary throwback to his military childhood. "Well, what's the alternative, I mean to say? You can hardly ask a thoroughbred Englishman to tote an umbrella like the Japanese guides, can you? Not here in Bavaria, my goodness, no. Not fifty miles from where our own dear Neville Chamberlain made his pact with the devil. Well, can you, madam?"

And if his audience, as is often the case, turns out to be too pretty to have heard of Neville Chamberlain or know which devil is referred to, then in a rush of generosity the thoroughbred Englishman will supply his beginners' version of the shameful Munich Agreement of 1938, in which he does not shy from remarking how even our beloved British monarchy, not to mention our aristocracy and the Tory Party here on earth, favored practically any accommodation with Hitler rather than a war.

"British establishment absolutely terrified of Bolshevism, you see," he blurts, in the elaborate telegramese that, like hah!, overcomes him when he is in full cry. "Powers-that-be in America no different. All any of 'em ever wanted was to turn Hitler loose on the Red Peril." And how in German eyes, therefore, Neville Chamberlain's rolled-up umbrella remains to this very day, madam, the shameful emblem of British appeasement of Our Dear Führer, his invariable name for Adolf Hitler. "I mean frankly, in this country, as an Englishman, I'd rather stand in the rain without one. Still, that's not what you came here for, is it? You came to see Mad Ludwig's favorite castle, not listen to an old bore ranting on about Neville Chamberlain. What? What? Been a pleasure, madam" - doffing the clown's bowler in self-parody and revealing an anarchic forelock of salt-and-pepper hair that bounces out of its trap like a greyhound the moment it's released - "Ted Mundy, jester to the Court of Ludwig, at your service."

And who do they think they've met, these punters - or Billies, as the British tour operators prefer to call them - if they think at all? Who is this Ted Mundy to them as a fleeting memory? A bit of a comedian, obviously. A failure at something - a professional English bloody fool in a bowler and a Union Jack, all things to all men and nothing to himself, fifty in the shade, nice enough chap, wouldn't necessarily trust him with my daughter. And those vertical wrinkles above the eyebrows like fine slashes of a scalpel, could be anger, could be nightmares: Ted Mundy, tour guide.

It's three minutes short of five o'clock in the evening, late May, and the last tour of the day is about to begin. The air is turning chilly, a red spring sun is sinking in the young beech trees. Ted Mundy perches like a giant grasshopper on the balcony, knees up, bowler tipped against the dying rays. He is poring over a rumpled copy of the Süddeutsche Zeitung that he keeps rolled up like a dog-chew in an inner pocket of his jacket for these moments of respite between tours. The Iraqi war officially ended little more than a month ago. Mundy, its unabashed opponent, scrutinizes the lesser headlines: Prime Minister Tony Blair will travel to Kuwait to express his thanks to the Kuwaiti people for their cooperation in the successful conflict.

"Humph," says Mundy aloud, brows furrowed. During his tour, Mr. Blair will make a brief stopover in Iraq. The emphasis will be on reconstruction rather than triumphalism.

"I should bloody well hope so," Mundy growls, his glower intensifying.

Mr. Blair has no doubt whatever that Iraq's weapons of mass destruction will shortly be found. U.S. Defense Secretary Rumsfeld, on the other hand, speculates that the Iraqis may have destroyed them before the war began. "Why don't you make up your stupid minds then?" Mundy harrumphs.

His day thus far has followed its usual complex and unlikely course. Prompt at six he rises from the bed he shares with his young Turkish partner, Zara. Tiptoeing across the corridor he wakes her eleven-year-old son, Mustafa, in time for him to wash and clean his teeth, say his morning prayers, eat the breakfast of bread, olives, tea and chocolate spread that Mundy has meantime prepared for him. All this is done in an atmosphere of great stealth. Zara works late shift in a kebab cafe close to Munich's main railway station, and must not on any account be woken. Since starting her night job she has been arriving home around three in the morning, in the care of a friendly Kurdish taxi driver who lives in the same block. Muslim ritual should then permit her to say a quick prayer before sunrise and enjoy eight hours of good sleep, which is what she needs. But Mustafa's day begins at seven, and he too must pray. It took all Mundy's powers of persuasion, and Mustafa's also, to convince Zara that Mundy could preside over her son's devotions, and she could get her hours in. Mustafa is a quiet, catlike child, with a cap of black hair, scared brown eyes and a raucous boing-boing voice.

From the apartment block - a shabby box of weeping concrete and external wiring - man and boy pick their way across wasteland to a bus shelter covered in graffiti, much of it abusive. The block is what these days is called an ethnic village: Kurds, Yemenis and Turks live packed together in it. Other children are already assembled here, some with mothers or fathers. It would be reasonable for Mundy to consign Mustafa to their care, but he prefers to ride with him to the school and shake his hand at the gates, sometimes formally kissing him on both cheeks. In the twilight time before Mundy appeared in his life, Mustafa suffered humiliation and fear. He needs rebuilding.

Returning from school to the apartment takes twenty minutes of Mundy's huge strides, and he arrives with one half of him hoping Zara is still asleep and the other half that she is just awake, in which case she will make at first drowsy, then increasingly passionate love with him before he leaps into his elderly Volkswagen Beetle and joins the southbound traffic for the seventy-minute drive to the Linderhof and work.

The journey is irksome but necessary. A year ago, all three members of the family were separately in despair. Today they are a fighting force bent upon improving their collective lives. The story of how this miracle came about is one that Mundy recounts to himself whenever the traffic threatens to drive him mad:

He is on his uppers. Again. He is practically on the run.

Egon, his business partner and coprincipal of their struggling Academy of Professional English, has fled with the last of the assets. Mundy himself has been obliged to creep out of Heidelberg at dead of night with whatever he can cram into the Volkswagen, plus 704 euros of petty cash that Egon has carelessly left unstolen in the safe.

Arriving in Munich with the dawn, he leaves the Volkswagen with its Heidelberg registration in a discreet corner of a parking garage in case his creditors have served an order on it. Then he does what he always does when life is closing in on him: he walks.

And because all his life, for reasons far back in his childhood, he has had a natural leaning towards ethnic diversity, his feet lead him almost of their own accord to a street full of Turkish shops and cafes that are just beginning to wake up.

The day is sunny, he is hungry, he selects a cafe at random, lowers his long body cautiously onto a plastic chair that refuses to sit still on the uneven pavement, and asks the waiter for a large medium-sweet Turkish coffee and two poppyseed rolls with butter and jam. He has barely begun his breakfast when a young woman settles on the chair beside him and with her hand held half across her mouth asks him, in a faltering Turkish-Bavarian accent, whether he would like to go to bed with her for money.

Zara is in her late twenties and improbably, inconsolably beautiful. She wears a thin blue blouse and black brassière, and a black skirt skimpy enough to display her bare thighs. She is dangerously slim. Mundy wrongly assumes drugs. It is also to his later shame that, for longer than he cares to admit, he is half inclined to take her up on her offer. He is sleepless, jobless, womanless and near enough penniless.

But when he takes a closer look at the young woman he is proposing to sleep with, he is conscious of such desperation in her stare and such intelligence behind her eyes, and such a lack of confidence on her part, that he quickly takes a hold of himself, and instead offers her breakfast, which she warily accepts on condition she may take half of it home to her sick mother. Mundy, now hugely grateful to be in contact with a fellow human being in low water, has a better suggestion: she shall eat all the breakfast, and they will together buy food for her mother at one of the halal shops up and down the road. She hears him without expression, eyes downcast. Desperately empathizing with her, Mundy suspects she is asking herself whether he is just crazy or seriously weird. He strains to appear neither of these things to her, but patently fails. In a gesture that goes straight to his heart, she draws her food with both hands to her own side of the table in case he means to take it back.

In doing so, she reveals her mouth. Her four front teeth are sheared off at the root. While she eats, he scans the street for a pimp. She doesn't seem to have one. Perhaps the cafe owns her. He doesn't know, but his instincts are already protective.

As they rise to leave, it becomes apparent to Zara that her head barely reaches up to Mundy's shoulder, for she starts away from him in alarm. He adopts his tall man's stoop, but she keeps her distance from him. She is by now his sole concern in life. His problems are negligible by comparison with hers. In the halal shop, under his urgent entreaty, she buys a piece of lamb, apple tea, couscous, fruit, honey, vegetables, halva and a giant triangular bar of Toblerone chocolate on sale.

"How many mothers have you got, actually?" he asks her cheerfully, but it's not a joke she shares.

Shopping, she remains tense and tight-lipped, haggling in Turkish from behind her hand, then stabbing her finger at the fruit - not this one, that one. The speed and skill with which she calculates impress him deeply. He may be many kinds of man, but he is no sort of negotiator. When he tries to carry the shopping bags - there are two by now, both weighty - she fights them from him in fierce tugs.

"You want sleep with me?" she asks again impatiently, when she has them safely in her hands. Her message is clear: you've paid for me, so take me and leave me alone.

"No," he replies.

"What you want?"

"To see you safely home."

She shakes her head vigorously. "Not home. Hotel." He tries to explain that his purposes are friendly rather than sexual but she is too tired to listen to him and begins weeping without changing her facial expression.

He chooses another cafe and they sit down. Her tears keep rolling but she ignores them. He presses her to talk about herself and she does so without any particular interest in her subject. She seems to have no barriers left. She is a country girl from the plains of Adana, the eldest daughter of a farming family, she tells him in her faltering Bavarian argot while she stares at the table. Her father promised her in marriage to the son of a neighboring farmer. The boy was held up as a computer genius, earning good money in Germany.

When he came home to visit the family in Adana, there was a traditional wedding feast, the two farms were declared to be joined, and Zara returned to Munich with her husband, only to discover he was not a computer genius at all, but a fulltime, round-the-clock armed bandit. He was twenty-four, she was seventeen and expecting a child by him.

"It was gang," she declares simply. "All boys were bad crooks. They are crazy. Steal cars, sell drugs, make nightclubs, control prostitutes. They do all bad things. Now he is in prison. If he would not be in prison, my brothers will kill him."

Her husband had been sent to prison nine months ago, but had found time to terrify the wits out of his son and smash his wife's face in before he went. A seven-year sentence, other charges pending. One of the gang turned police witness. Her story continues in a monotonous flow as they walk through the town, now in German, now in snatches of Turkish when her German fails her. Sometimes he wonders whether she knows he is still beside her. Mustafa, she says, when he asks the boy's name. She has asked him nothing about himself. She is carrying the shopping bags and he makes no further attempt to carry them for her. She is wearing blue beads, and he remembers from somewhere far back in his life that for superstitious Muslims blue beads ward off the evil eye. She is sniffing but the tears are no longer rolling down her cheeks. He guesses she has made herself cheer up before meeting someone who mustn't know she has been crying. They are in Munich's Westend, which hardly accords with its elegant London equivalent: drab, prewar apartment houses in old grays and browns; washing hanging out to dry in the windows, kids playing on a patch of molting grass. A boy sees their approach, breaks free of his friends, picks up a rock and advances on them menacingly. Zara calls to him in Turkish.

"What do you want?" the boy yells.

"A piece of your Toblerone, please, Mustafa," Mundy says. The boy stares at him, talks again to his mother, then edges forward, keeping the rock in his right hand while he pokes in the bags with his left. Like his mother, he is gaunt, with shadowed eyes. Like his mother, he seems to have no emotions left.

"And a cup of apple tea," Mundy adds. "With you and all your friends."

Led by Mustafa, who is by now carrying the bags, and escorted by three stalwart dark-eyed boys, Mundy follows Zara up three flights of grimy stone stairs.


Excerpted from Absolute Friends by John le Carre Copyright © 2004 by David Cornwell. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Absolute Friends 3.6 out of 5 based on 0 ratings. 51 reviews.
Guest More than 1 year ago
Le Carre is at his best writing about Berlin in the cold war days. The first part of Absolute Friends draws on his extraordinary experience and knowledge of cold war Berlin...and, like vintage Le Carre, it is enthralling to read. When it comes to more recent times, however, Le Carre probably does not have any experience with intelligence services--and it shows. Still, well worth reading.
Guest More than 1 year ago
At the end, I did like this book. It was not what I expected, the typical Le Carre spy story, and in some parts it was hard to follow his implications, what he was referring to. But the end makes the story clear. It is a chilling comment on current events. I have no doubt this kind of thing really happens, and isn't that exactly the kind of story we expect from Le Carre? I find I enjoyed the book more than I thought I was as I read it, and it stays with me.
Guest More than 1 year ago
A great spy novel, an eye opening and refreshing truth seeking novel about the current 'War on Terrorism' and where this is leading us and spiraling us down towards. The story might seem to jump around a bit, but like the main character it is transforming itself patiently from a closed door to an open storm, from something hidden from the surface to something that grabs you and pulls you inside.
indygo88 on LibraryThing More than 1 year ago
I gave this a go...but ended up giving up. I'm not sure what it was -- I think a combination of the abridgement & my inability to keep my attention on it. Given another chance, with my mind in its right place, I think I'd probably enjoy it more.
BooksForDinner on LibraryThing More than 1 year ago
Just great! Le Carre is such a great storyteller, such a great creator of characters. Mundy is fantastic, Sasha is better. Also, Le Carre narrates this himself, and does a wonderful job. He does voices, but doesn't over-do them.
chellerystick on LibraryThing More than 1 year ago
I listened to the audio abridgment during a 1900 mile drive, and although it entertained me, I didn't think the quality was up to the level of the other books of his I've read. The main characters are interesting enough, but many of the other characters feel a little too cartoonish. Also, some of the psychology is missing, perhaps due to the abridgment but, judging from others' reviews, perhaps not: where are their motivations? where is the suspense? Instead, it all comes off as a bit too matter of fact. I did, however, love hearing le Carré read his own work, getting into the speaking styles he imagined for each character.
Pferdina on LibraryThing More than 1 year ago
An enjoyable novel from the master of spy novels. Following Ted Mundy's life: born in Pakistan, moved to Britain, then became a student radical in Germany, escaped back to Britain then the U.S. for awhile, eventually returned to Britain. At this point, Ted acquires a wife, a child, a steady job, and a second existence as a double-agent for the British, working with an old, fanatic friend from his Germany days. After the Cold War ends, everything changes. What is an old spy to do after the enemy retires?
Replay on LibraryThing More than 1 year ago
So long my friend !!! Boring to the brim
gregorymose on LibraryThing More than 1 year ago
I'm always amazed by le Carre. Every time, I think I'm picking up a spy book, something light, and every time I find myself being drawn in not by action or suspense, but by solid and vivid characters, people who stick with me long after I've put the book down and forgotten the clever plot twists. Absolute Friends is yet another such book. Wonderful.
TLievens on LibraryThing More than 1 year ago
First novel I have read by Le Carré and what strikes foremost is his beautiful use of the English language. I only wonder whether Sasha and Mundy really are true friends - to me they have more of a love/hate relationship. Then again, maybe that is the definition of friendship
kambrogi on LibraryThing More than 1 year ago
A fine read for Le Carre's fans. This is a more direct and immediate story than his [A Perfect Spy], with many of the same elements but perhaps less depth of character. It has le Carré¿s characteristic lonely spy, an ethical man who finds himself adrift and conflicted in a corrupt world, at odds with his handlers while sacrificing his personal life for his work. In this one, we have the life story of a man born to a British military man serving the Raj in Pakistan at the time of Partition. After a troubled youth, the protagonist finds one true friend, an association that ultimately carries them through post-WWII Germany, the Cold War, and into the even darker world of Bush-era neo-con intrigue, much of it perhaps a parallel for le Carré¿s own history, certainly a parallel for the world as we have known it over the last 50 years. As in [The Constant Gardner], the author¿s theories on the contemporary military-industrial agenda are scary, and worse: they¿re believable.
p_linehan on LibraryThing More than 1 year ago
At first this seemed like one of LeCarré¿s usual spy books, with a lost boy hero who had a bad father and got caught up in the Cold War. Yet as the book moved to its final act it becomes clear that this is a political polemic against America¿s war on terror. All the criticisms that the Iraq War was nothing but lies come to roost by the end of the book. The British, as America¿s junior partners don¿t come out lightly either. I found myself wanting to scream out at Ted Mundy to get away, to stand up for himself. His fate, however, is to be an ¿absolute friend¿.
name99 on LibraryThing More than 1 year ago
As always, Le Carre does not disappoint. There is the usual gripping story, along with the usual fascinating background information. Le Carre is clearly very very angry about what has happened in the west in the past few years, the creeping fascism of Bush and friends, and is not scared to focus on it here.
leehopkins on LibraryThing More than 1 year ago
Of all of Le Carre's stunning work THIS book is my favourite. All of Le Carre's trademark characterization and local 'colour' is here, of course, but he tells his tale with such aplomb, such mastery of pace and tension, that I couldn't put it down -- I stayed up all night to finish it.
mpicker0 on LibraryThing More than 1 year ago
Did not care for the style at all... too hard to follow. I forced myself to finish it.
devenish on LibraryThing More than 1 year ago
A somewhat disappointing read. I have to say not one of this usually excellent writers better efforts
Anonymous More than 1 year ago
Hey, Evie. I know it's been a while but uh, you might not even get on anymore but for what it's worth i've missed you. You might have forgotten about this book but if you see this then come and find me.
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Anonymous More than 1 year ago
Is Eisehower proved right in the 21st century,`Beware of the military industrial complex`? LeCarre clearly thinks that the world is being perverted by unfettered capitalist neo-con religious fanatic militaristic power brokers who need purpetual fear and manipulation of the masses. Through deceit and manipulating wars,, through propaganda and rhetoric, the world has become a dangerous place for truth and intellectual freedom. Hang in through some early slogging as he makes his point of how easily our financial, government,economy and political systems can be subverted by the extreme right Haliburton.Tea party. Fox. Connect the dots. Remember how we originally were drawn in to Afghanistan? Covert wars sold by lies and hiding its cost. Eye opening,
JinPhilly More than 1 year ago
Well written, fascinating and VERY thought provoking. Makes you REALLY think about all of your personal connections.
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