Murder at the National Gallery (Capital Crimes Series #13)

Murder at the National Gallery (Capital Crimes Series #13)

by Margaret Truman

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Murder at the National Gallery (Capital Crimes Series #13) 3 out of 5 based on 0 ratings. 2 reviews.
Guest More than 1 year ago
In Murder at the National Gallery, Margaret Truman examines the character flaws that can make a relatively mild-mannered, relatively good man, Luther Mason, turn to crime. We get to meet his cold mother, his ambitious ex-wife, his controlling girlfriend, his spoiled son, and also the delightful Annabel Reed-Smith, commissioned by the Vice-President¿s wife to work with Luther on the National Gallery¿s prestigious exhibit of the tempestuous Italian painter Carivaggio¿s work. It¿s Annabel that helps to solve the mystery. We get to experience her joys and trials as an art gallery owner. We travel with her to Italy and learn about the amazing collections of magnificent art that exist in that country. We also hold our breath when Annabel gets mixed up in Luther Mason¿s crazy schemes and comes close to losing her life. In my opinion, Murder at the National Gallery started slow. However, I felt happy that I stayed with the story because it heated up nicely as it progressed until I felt very grateful for the wide range of characters, an insider¿s look into the world of fine art forgeries, behind the scenes at the Capital, the Italian mob¿s connection with fine art, and a suspenseful mystery.
mlnelson01 on LibraryThing More than 1 year ago
Margaret Truman¿s Capital Crime series remind me just a bit of Jessica Fletcher. Just how many murders can one person be present for? Does Jessica attract murders somehow? Even though the premise ¿ an amateur sleuth, Annabel Reed-Smith, who is always in the right place to investigate ¿ is quite faulty, Truman¿s books are generally well-written and fun to read.Not so much this one, though. Murder at the National Gallery sports a number of murders, but investigates none of them. Only one takes place at the Gallery, and it occurs very late in the book. The plot revolves around a curator¿s naïve attempt to discover a lost work of art, then forge it and steal the original. At least four sets of antagonists launch counterplots, which overwhelm our would-be thief and eventually span the globe. National governments get involved, and international peace is threatened! Of course, only Annabel, our sleuth, can step in and make everything right again. Overall, this one didn¿t pass the credibility test, and there wasn¿t enough investigation to make up for it.